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In his youthful enthusiasms, Honore de Balzac shifted from Beaumarchais to Moliere, from Voltaire to Rousseau, from Racine to Corneille, and, contrary to his temperament, he drew up plans for violent and pathetic dramas, suited to the taste of the day.

Her influence was at its height in the age of Corneille and Descartes, and she lived almost to the culmination of the era of Racine and Moliere, of Boileau and La Bruyere, of Bossuet and Fenelon, the era of simple and purified language, of refined and stately manners, and of at least outward respect for morality. To these results she largely contributed.

George Broadhurst or Henry Bernstein or Arthur Wing Pinero, or others like them, have always been the popular playwrights; a few names like Sophocles, Terence, Molière, Shakespeare, and Ibsen come rolling down to us, but they are precious and few. A great actor, indeed, can put life into perfectly wooden material. In the case of Sarah Bernhardt, who was the creator, the actress or Sardou?

Gay-Lussac the chemist, Laplace the astronomer, Larrey the surgeon, de Suze the advocate, are here, and with them are Talma, Bellini, Rubini; de Balzac, Beaumarchais, Beranger; Moliere and Lafontaine, and scores of other men whose names and whose worthy labors are as familiar in the remote by-places of civilization as are the historic deeds of the kings and princes that sleep in the marble vaults of St.

Young De Guiche slipped out by a back staircase, and in order to facilitate his exit, one of the footmen, worthy of Moliere, caught hold of the Prince as if he were one of his comrades, and holding a handkerchief over his face, nearly poked his eye out. The Count's indiscretions were retailed in due course to Monsieur by his favourites, and he was incensed beyond measure.

The out-of-door life and free communication with the pavement, habitual apparently among the middle classes, reminds me of the plays of Moliere and other old dramatists, in which the street or the square becomes a sort of common parlor, where most of the talk and scenic business of the people is carried on. June 5th.

That such is the case, all medical men admit. Thus, the mind may often be used as a therapeutic agent, and clever physicians never fail to employ this kind of Christian Science. Mrs. Eddy is therefore no more the discoverer of the "malade imaginaire" than Moliere. When you' distort this truth and write books proclaiming the fact that all ills are of this sort, then you have Eddyism up to date.

Between the windows, two pedestals, surmounted by busts of Mademoiselle Clairon and Mademoiselle Dangeville, stood, one on each side of the great regulator made by Robin, clockmaker to the king which dominated the bust of Moliere after Houdon seeming to keep guard over all this gathering of artistic glory.

Foreign critics Tiraboschi and Schlegel have depreciated the Frenchman's invention, by insinuating that were all that Molière borrowed taken from him, little would remain of his own. But they were not aware of his dramatic creation, even when he appropriated the slight inventions of others; they have not distinguished the eras of the genius of Molière, and the distinct classes of his comedies.

Gilles one of those domestic dramas which are still awaiting their Moliere, a drama of distressing vulgarity and sickening realism, but poignant, nevertheless; for it brought into action tears, blood, and a savage energy.