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Updated: June 9, 2025
At the time of Lorenzo and Giuliano's famous tournament in the Piazza of S. Croce, Poliziano wrote, as I have said, the descriptive allegorical poem which gave Botticelli ideas for his "Birth of Venus" and "Primavera". He lives chiefly by his Latin poems; but he did much to make the language of Tuscany a literary tongue.
They separated, and Simonetta inwardly compared the sallow, slavish scion of a proud name, to whom she was betrothed, with this God's Nobleman whom she had just met. Giuliano's words were full of soft flattery; this man uttered an oath of surprise under his breath, on first seeing her, and treated her almost with rudeness.
The conspirators proceeded to Santa Reparata, where the cardinal and Lorenzo had already arrived. The church was crowded, and divine service commenced before Giuliano's arrival. Francesco de' Pazzi and Bernardo Bandini, who were appointed to be his murderers, went to his house, and finding him, they, by earnest entreaties, prevailed upon him to accompany them.
Bernardo Bandini, after Giuliano's death, also slew Francesco Nori, a most intimate friend of the Medici, either from some previous hatred or for having endeavored to render assistance to Giuliano; and not content with these murders, he ran in pursuit of Lorenzo, intending, by his own promptitude, to make up for the weakness and inefficiency of the others; but finding he had taken refuge in the vestry, he was prevented.
"The last time I saw you was at the theatre, I think at the opening night, last week ten days ago when was it?" "Yes," he answered quickly. "That was the last time I saw you; but the last time we spoke was at the San Giuliano's." "Was it? I do not remember. We have often talked a little at different places."
These monumental figures are not men, not women, but vague and potent allegories of our mortal fate. They remain as he left them, except that parts of Giuliano's statue, especially the hands, seem to have been worked over by an assistant. The same is true of the Madonna, which will ever be regarded, in her imperfectly finished state, as one of the finest of his sculptural conceptions.
These and other works of Giuliano's having been seen by Mariotto Albertinelli, he recognized how careful Giuliano was in following the designs that were put before him, without departing from them by a hair's breadth, and, since he was preparing in those days to abandon art, he gave him to finish a panel-picture that Fra Bartolommeo di San Marco, his friend and companion, had formerly left only designed and shaded with water-colours on the gesso of the panel, as was his custom.
Girolamo wished the removal of Lorenzo and Giuliano in order that hostility to his plans for adding Forli and Faenza to the territory of Imola, which the Pope had successfully won for him against Lorenzo's opposition, might disappear. The Pope had various political reasons for wishing Lorenzo's and Giuliano's death and bringing Florence, always headstrong and dangerous, to heel.
The next day, at Giuliano's request, the Sacred College ordered the Orsini to leave Rome for the whole time occupied by the Conclave. On the 31st of October 1503, at the first scrutiny, Giuliano delta Rovere was elected pope, and took the name of Julius II.
It was at this juncture that Alexander VI received his answer from Bajazet II: the reason of so long a delay was that the pope's envoy and the Neapolitan ambassador had been stopped by Gian della Rovere, the Cardinal Giuliano's brother, just as they were disembarking at Sinigaglia.
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