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Updated: June 14, 2025


Salieri whom Gluck assisted in the most generous manner, even to the extent of having one of Salieri's operas produced under his own name, and declaring the true author when it was a success was married, and had many daughters, who lavished upon him much affection. Méhul was befriended by a Doctor Gastoldi, and married a daughter of his benefactor. They had no children, but adopted a nephew.

Thus Gluck was a German, as also was Meyerbeer, while Cherubini and Spontini were Italians. Henri Etienne Méhul was the son of a French soldier stationed at the Givet barracks, where he was born June 24, 1763. His early love of music secured for him instructions from the blind organist of the Franciscan church at that garrison town, under whom he made astonishing progress.

He made the acquaintance of Gluck accidentally, the great ehevalier interposing one night to prevent his being ejected from the theatre, into one of whose boxes Méhul had slipped without buying a ticket. Thence forward the youth had free access to the opera, and the friendship and tuition of one of the master minds of the age.

SCENE. The country in autumn The wind is blowing without MADAME, seated by the fireside in a large armchair, is engaged in needlework MONSIEUR, seated in front of her, is watching the flames of the fire A long silence. Monsieur Will you pass me the poker, my dear? Monsieur That is by Mehul, is it not, my dear? Ah! that is music I saw Delaunay Riquier in Joseph.

How great, however, was her and Bonaparte's surprise, when Mehul, instead of being delighted with this distinguished appointment, positively refused to accept it! "I can accept this position only under one condition," said Mehul, "which is, that I may be allowed to divide it with my friend Cherubini."

'Daniel, of course; viva 'Daniel! 'The Chaste Suzannah, opera in three acts. Madame Begrand would be fine as Suzannah. By Jove! if Meyerbeer would only take charge of the score! That falls to him by right as a compatriot. Then, that would give him an opportunity to break lances with Mehul and Rossini. If that fool of a Gerfaut would only come!

And Mehul, notwithstanding Josephine's intercession and Bonaparte's ill-will, remained firm in his decision; he would not accept the honorable and distinguished position of first singer at the Grand Opera; and Bonaparte, after expressing his determination, would not change it. Neither would he confer upon Cherubini the honor refused by Mehnl.

He returned to Paris for a few weeks only, to breathe his last on October 18, 1817, aged fifty-four. Méhul was a high-minded and benevolent man, wrapped up in his art, and singularly childlike in the practical affairs of life.

At the right hand there were fifty musicians and singers of the Opera, Laine, Lays, Regnault, and the actresses, not all dead of old age, roaring a patriotic cantata to the music of Mehul. Facing them, on another elevation, there were two hundred young and beautiful women, with their arms and bosoms bare, all in ecstasy at the majesty of our Pentarchy and the happiness of the Republic.

'Daniel, of course; viva 'Daniel! 'The Chaste Suzannah, opera in three acts. Madame Begrand would be fine as Suzannah. By Jove! if Meyerbeer would only take charge of the score! That falls to him by right as a compatriot. Then, that would give him an opportunity to break lances with Mehul and Rossini. If that fool of a Gerfaut would only come!

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