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I am asked to write an Overture and am going to take as subject Shakespeare's Tempest; it will be quite a new style of thing. My great concert, with the Symphonie Fantastique, will take place November 14, but I must have a theatrical success; Camille's parents insist on that, as a condition of our marriage. I hope I shall succeed."
One can fancy the scornful laughter of Berlioz at hearing this verdict. But his Italian life was not altogether purposeless. He revised his "Symphonie Fantastique," and wrote its sequel, "Lelio," a lyrical monologue, in which he aimed to express the memories of his passion for the beautiful Miss Smithson. These two parts comprised what Berlioz named "An Episode in the Life of an Artist."
It is a conte fantastique in colour a marvel of affluent fancy and masterly skill. I found here this morning letters calling me over to Paris for a short time, and one also from Mr. Davitt, in London, explaining that my note to him through the National League had never reached him, and that he had gone to London on his woollen business.
His "Scherzo fantastique," inspired by Maeterlinck's Life of the Bee, which was produced in 1908, attracted the attention of Sergei Diaghilew to the young composer, and secured him a commission to write a ballet for Diaghilew's organization. The immediate result was "L'Oiseau de feu," which was composed and produced in 1910.
The reading of the score of Berlioz's Requiem makes it appear singularly old-fashioned, but this is true of most of the romantic dramas, which, like the Requiem, show up better in actual performance. It is easy to rail at the vehemence of the Romanticists, but it is not so easy to equal the effect of Hernani, Lucrèce Borgia and the Symphonie fantastique on the public.
But, Lord! to see what a young simple fantastique coxcombe is made Deputy Governor, would make one mad; and how he called out for his night-gown of silk, only to make a show to us; and yet for half an hour I did not think he was the Deputy Governor, and so spoke not to him about the business, but waited for another man; at last I broke our business to him; and he promising his care, we parted.
In 1826 he sought to enter the Conservatoire, but failed in the preliminary examination. In 1827, 1828 and 1829, he competed for the Prix de Rome, and failed. In 1830 he finally secured it. While in Rome in 1831, he composed the "Symphonie Fantastique" and "Lélio." In 1833 he married his adored Miss Smithson. In 1834 "Harold" was performed for the first time.
Clerke's genius, which I so much admired, I finding her to be so conceited and fantastique in her dress this day and carriage, though the truth is, witty enough.
Meanwhile, he was told slanderous gossip about Henrietta, which he readily believed. Then he despised her, and dishonoured her publicly in his Symphonie fantastique, paying homage in his bitter resentment to Camille Moke, a pianist, to whom he lost his heart without delay. After a time Henrietta reappeared. She had now lost her youth and her power; her beauty was waning, and she was in debt.
The "Harold" music was now finished and Berlioz advertised both this and the Symphonie Fantastique for a concert at the Conservatoire, December 16, 1838. Paganini was present, and declared he had never been so moved by music before. He dragged the composer back on the platform, where some of the musicians still lingered, and there knelt and kissed his hand.
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