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Updated: May 22, 2025


Evidently he had not seen her, for she could hear him whistling softly to himself as he approached, while with the fingers of one hand he drummed on his chest as though beating out the rhythm of the melody he was whistling a wild, passionate refrain from Wieniawski's exquisite Legende. It sounded curiously in harmony with the tempest that raged about him.

I remember when I was a student, that Wieniawski's music seemed to lie just right for my hand. I could read difficult things of his at sight. "Would I care to discuss any special feature of violin technic?

As a proof of the old adage that "doctors do not always agree," we are told by one excellent authority that his D minor concerto, the two polonaises, and his "Legende" will probably never vanish from the violinist's repertoire, and by another that Wieniawski's compositions are not of much importance.

Wieniawski's tour in America, which took place in 1872, when he accompanied Rubinstein, may be said to mark an era in the musical life of this nation. These two great artists revealed the possibilities of the musical art to a people who, while loving music, were still in their infancy as far as musical development is concerned.

Joachim was amongst the audience, and came to the rescue, taking up Wieniawski's violin and finishing the programme, thus showing his friendship for the sufferer and earning the enthusiastic applause of an appreciative audience. Notwithstanding his sufferings, Wieniawski continued his tour, but at Odessa he broke down altogether.

This sweeping enthusiasm was not universal, for a critic more difficult to please wrote as follows: "Wieniawski's playing is as perfect as a faultless technique, artistic culture, great aesthetic sensibility, and perfect mastery over himself and his instrument can make it But with all its perfection we cannot but feel that the great original, heaven-and-earth-moving master-soul is wanting."

He was pressing his advantage, for her precipitate departure would rob him of the expected effect of Casimir Wieniawski's disclosures.

Kneisel insists on what he calls a 'musical trill, of which Kreisler's beautiful trill is a perfect example. The trill of some violinists is invariably brilliant, whether brilliancy is appropriate or not. Brilliant trills in Bach always seem out of place to me; while in Paganini and in Wieniawski's Carnaval de Venise a high brilliant trill is very effective.

This drew attention to Vieuxtemps, who was immediately recognised by the audience and enthusiastically welcomed. Wieniawski's compositions number two and twenty.

Closeted together, the minor guests having been artfully dispersed, Major Alan Hawke and his friend recalled the olden glories of Wieniawski's Indian tour. It was with a jealous hand that Hawke doled out the cognac, until Casimir abruptly said: "And now, mon ami, tell me what has linked you to Alixe Delavigne?"

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