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For the pre-Darwinian age had come to be regarded as a Dark Age in which men still believed that the book of Genesis was a standard scientific treatise, and that the only additions to it were Galileo's demonstration of Leonardo da Vinci's simple remark that the earth is a moon of the sun, Newton's theory of gravitation, Sir Humphry Davy's invention of the safety-lamp, the discovery of electricity, the application of steam to industrial purposes, and the penny post.
Teresa's cheek turned very pale, as she hid her face on Da Vinci's shoulder, who whispered: "So ends the last scene in the dark drama of thy past. Look up, my Viola! The clouds are passed, and sunshine is over all." IT was evening in Val d'Arno. The sun was sinking behind the horizon and twilight was descending upon the glorious vale.
Giotto and Mantegna were shepherd boys, it is true; but Michelangelo was the son of a small official of ancient family in the provinces, the mayor of the little city of Chiusi e Caprese; Lionardo da Vinci's father was a moderately well-to-do land-holder; Raphael's was a successful painter, and certainly not in want.
Perhaps no living man has ever known an attempt to paint the Lord's Supper differently. The world seems to have become settled in the belief, long ago, that it is not possible for human genius to outdo this creation of da Vinci's. I suppose painters will go on copying it as long as any of the original is left visible to the eye.
His breath stopped short when he saw in the shadow of the farther wall a piano, with a bronze lamp suspended from the ceiling above it. His eyes caught the shadowy outline of cases filled with books; he saw close to the fireplace wide, low-built divans covered with cushions; and over the door through which they passed hung a framed copy of da Vinci's masterpiece, "La Joconde," the Smiling Woman.
May not a copy of Leonardo Da Vinci's 'Last Supper' quite possibly be equal in force and vividness of expression to the original painting by Benjamin West bearing the same name? Might it not be wise to trust rather to an Airy, or a De la Rue, or a Lockyer's account of what he had observed during a solar eclipse than to your own immediate observations on the same occasion?
"Queen of Sheba," "The Marriage in Cana," "Magdalen Washing the Feet of Christ," "The Holy Family." Who has not heard of Da Vinci's "Last Supper"? Who has not heard of Turner's "Pools of Solomon"? Who has not heard of Claude's "Marriage of Isaac and Rebecca"? Who has not heard of Dürer's "Dragon of the Apocalypse"? The mightiest picture on this planet is Rubens' "Scourging of Christ."
One day, while she stood before Leonardo da Vinci's picture of Joanna of Aragon, but evidently without seeing it, for, though it had attracted her eyes, a fancied resemblance to Miriam had immediately drawn away her thoughts, this artist drew a hasty sketch which he afterwards elaborated into a finished portrait.
He said of Leonardo da Vinci's "Last Supper" that it probably had faded out from being stared at by sightseers, and that the same thing might have happened to the Sistine Madonna if it had not been put under glass, these being the two most popular paintings in Europe. His fund of anecdotes was inexhaustible. Earlier in life he was occasionally given to practical jokes.
The controversy that raged round the so-called "Flora Bust" contributed not a little to the gaiety of nations towards the close of this year. The bust, an undraped wax figure, reproducing the features of Leonardo da Vinci's famous "La Joconde," was bought by Dr.
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