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Updated: May 27, 2025
The upper stage has three lancets of equal height, which give light to the space above the stone-groined roof, with a small trefoiled arch, unglazed, and half of another on each side. In the gable are three large sunk panels, two of six cusps, and one of eight. The whole is surmounted by a large handsome cross, restored at the expense of Lady Mildred Hope.
The angles have shafts, and there is a pointed trefoiled cornice with carved mouldings and cornice above. The third story is Renaissance, finished in 1598 by Trifon Boccanich. Gothic details still appear as in the shafted two-light windows, with the pierced quatrefoils above and the twisted shafts at the angles. The whole finishes with a pyramidal spire, imitating the Venetian campanile.
It is surmounted by a cross, and bordered by the wavy ornament; it has a rose window; and beneath is an arcade of five round-headed trefoiled arches supported by shafts, having at the inner wall three lancet windows. The circular window is without tracery; it has twelve cusps.
The opening of the door itself has a trefoiled head, whose hollow moulding is enriched with small well-carved roses and flowers. This trefoiled head opens under a round arch, springing from delicate round shafts, shafts and arch-mould being alike enriched with several finely carved rings, while from ring to ring the rounded surface is beautifully wrought with wonderful minutely carved spirals.
Though of limestone, this small lancet window, with its arch and dripstone trefoiled, is apparently of the thirteenth century, and an early example of its class. Its outer arch is rounded, while the inner is pointed and has perhaps been altered. The east window is broad, finely arched, and surmounted by a bold dripstone terminating in heads.
At the church of S. Giovanni Battista is a fine external stair of fourteenth-century Venetian type, a double flight returning on itself, with a landing at the change of direction. The balustrade is continued round the side of the church and the tower, but with square unmoulded shafts in place of the colonnettes. The trefoiled heads are cut in the rail with the carved spandrils between.
You see the edges of it, instead of being bossed, or knopped, or crocketed, are mouldings of severest line. No vaulting, no clustered shafts, no traceries, no fantasies, no perpendicular flights of aspiration. Steady pillars, each of one polished block; useful capitals, one trefoiled arch between them; your panel above it; thereon your story of the founder of Christianity.
On the left stands a majestic building with thick walls and few apertures, terminating on the sea in a crenelated round tower; and these elegant houses, with their arched and trefoiled windows, and their decorated gables, on the right, once formed the ancient Scotschhuis. Every detail of the building recalls the great trade in wool done by the city at that period.
A bird putting its head between its legs to bite its own tail, which ends in a head. A dragon with a human head set on the wrong way. St. Peter awakened by the angel in prison; full of spirit, the prison picturesque, with a trefoiled arch, the angel eager, St. Peter startled, and full of motion. St. Peter led out by the angel. The miraculous draught of fishes; fish and all, in the small space.
The spire has two octagonal stages above the roof, formed of trefoiled arches, and slim buttresses capped by leaded figures; from these stages the sloping spire springs with crocketted ribs at the angles, the lead being arranged in a quaint herring-bone pattern; at the base of the spire too is a crown of open-work and figures, making a third stage; finally, near the top of the spire the crockets swell, till you come to the rose that holds the great spire-cross of metal-work, such metal-work as the French alone knew how to make; it is all beautiful, though so late.
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