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Updated: May 27, 2025
The tomb consists of a plain slab of marble, with a cross upon it, supported by twelve low pillars, with plain capitals, and trefoiled arches. #Monuments In The North Transept.# In the eastern aisle of the north transept is the beautiful tomb of Archbishop Greenfield, who died in 1315. This tomb belongs to the most fully-developed period of the Decorated style.
The reliquary of S. Quirinus, another work of much the same period, has saints under a pointed trefoiled arcade on twisted and horizontally ringed columns, with foliage in the spandrils. In the centre at the back is a figure of our Lord; on the lid are an angel, Gethsemane, S. Peter sleeping, and the winged lion, between scrolls.
Between the window ranges are arcades of short, deep, trefoiled lancets; at the top below the parapet and corbel table are five quatrefoils in circles, one not pierced. On the north and south sides are but two ranges of windows.
In the end of the aisle the blocked upper window is pointed, and has a little trefoiled niche above and to the left of it, and there is no thickening of the masonry above to necessitate carrying-arches. The buttresses at the corner reach to the top of the parapet and have no surmounting pinnacle. This cornice is continued within the Lady-loft, and reappears over the last bay of the choir-aisle.
Bishop Valaresso's pastoral staff is also preserved here a fine work of 1460, 6 ft. 6 in. high. It is hexagonal, divided into eight sections by bands, of which every other one is broader and more decorated. These bear a pierced pattern and projecting triangles, serving as spandrils to the trefoiled arches, which are incised on the spaces between.
Some forty minutes away, on a small island to the east, is the Franciscan convent, La Badia, a building of the fifteenth century for the most part, containing a rather pretty cloister of white marble erected in 1477. The arches are stilted, pointed, and trefoiled, arranged in groups of three, with wider slightly segmental openings with cuspings for entrances.
Above the string-course are three stages: the lowest has three sets of lofty trefoiled lancets, supported by double detached shafts; above is a similar series, less lofty; at the top are three large glazed windows. The painted ceiling of the tower was Mr. le Strange's first experiment in painting at Ely.
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