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In the south wall of the south choir-aisle are four Decorated arched recesses containing four effigies of bishops, belonging to the Perpendicular period. This effigy also belongs to the Perpendicular period. The large size of the ball flower and fine wood-carving of the Decorated period on these tombs is noticeable. The effigy is wearing a mitre, and is fully vested.

The alterations that were made in these arches were probably not important, and did not extend beyond the re-modelling of the mouldings on the side of the arch towards the choir-aisle; for we may notice that above both the arches we can still trace the notched decoration which is peculiar to Ernulf's work. This chapel was originally dedicated to St. Peter and St.

The last bay of the latter displays a window like those on the north side, but having foliage on the capitals of the shafts; and below the parapet runs the cornice continued from the transept, with a curious gargoyle upon it. Part of the base of Archbishop Roger's choir-aisle is visible imbedded between this wall and the apse.

In the end of the aisle the blocked upper window is pointed, and has a little trefoiled niche above and to the left of it, and there is no thickening of the masonry above to necessitate carrying-arches. The buttresses at the corner reach to the top of the parapet and have no surmounting pinnacle. This cornice is continued within the Lady-loft, and reappears over the last bay of the choir-aisle.

The large limestone buttress against this wall, and another buttress which rises from the east wall but is hidden by the vaulting, were added in the Decorated period, and can be followed up through the two storeys above. They terminate in the pinnacles of the flying buttresses that span the choir-aisle.

These shafts have foliated capitals, and the bases have knots of foliage between them. With the exception of one string of dog-tooth ornament the mouldings of the main arches are plain. Above is the interesting triforium stretching across the Norman arch opening to the choir-aisle beyond the transept itself.

There is an undoubted original half-length portrait of this bishop in the Hall of Jesus College, Oxford. There are monuments to other members of the family in the church at Ross. In the pavement near the choir-aisle is a brass to John Philips, the author of The Splendid Shilling and of Cyder, a poem endearing him to Herefordshire.

But another of these bas-reliefs, close to the Renaissance clock, which interrupts the series of this history told in the choir-aisle, was even more astonishing. In this Mary was sewing at baby-clothes while reading, and Saint Joseph, asleep in a chair, his head resting on his hand, was instructed in a dream of the Immaculate Conception of the Virgin.

The parapet shows the same wide merlons and cruciform piercings which characterize the other Decorated parapets of the church, and it may have been brought forward from the choir-aisle.

Charles is said to have visited the town four times altogether. Walker's "Sufferings of the Clergy," quoted in Surtees Soc., Vol. 78. There is a tablet to Richardson's wife in the south Choir-aisle. The following is probably the true version of a story that is told in connection with their demolition.