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Updated: June 28, 2025


Coleridge also contributed to Southey's Joan of Arc certain lines of which, many years afterwards, he wrote in this humorously exaggerated but by no means wholly unjust tone of censure: "I was really astonished at the schoolboy, wretched, allegoric machinery; at the transmogrification of the fanatic Virago into a modern novel-pawing proselyte of the Age of Reason a Tom Paine in petticoats; at the utter want of all rhythm in the verse, the monotony and dead plumb-down of the pauses, and at the absence of all bone, muscle, and sinew in the single lines."

The grounds are well laid out, and neatly kept, with the usual lawn and gravelled walks, and quaint little devices in the ornamental way. These may be of later date than Southey's time. The gardener spoke respectfully of Southey, and of his first wife, and observed that "it was a great loss to the neighborhood when that family went down."

Scott had it; but then Scott's genius as a novelist overflowed into his letters, as did Southey's talent of universal writing, and Lamb's unalterable quintessence of quaintness.

If we compare, for instance, any of her descriptions of the Lakes with Southey's, we see the difference between mere literary skill, which can now be rivalled in many quarters, and that sympathetic intuition which comes of love alone.

Who would have stripped Southey's walls of the books that filled them, when, his mind no longer capable of taking in their meaning, he would still pat and fondle them with the vague loving sense of what they had once been to him, to him, the great scholar, now like a little child among his playthings?

Born in 1772, died in 1834; educated at Cambridge, but was not graduated; formed an unsuccessful scheme for a communistic settlement on the Susquehanna River, in Pennsylvania; married a sister of Southey's wife in 1795; published at Bristol a volume of poems in 1796; "The Ancient Mariner" in 1798; settled at Keswick with Southey and Wordsworth in 1800; lectured in London to fashionable audiences, becoming in 1816 the guest of Mr.

One's mind gets so dissipated by the fagging, yet insignificant, business of the offices; my release comes soon, but I fear for a term only, for I doubt if they will carry through the Court Bill. July 3. My day began at seven as usual. Sir Adam came to breakfast. I read Southey's edition of the Pilgrim's Progress, and think of reviewing the same. I would I had books at hand.

Southey's "Joan of Arc," to line 452, as acknowledged, was written by Mr. Coleridge, with the intermixture of 97 lines, written by Mr. Southey, in which there are noble sentiments, expressed in the loftiest poetical diction; and in which also there is a tutelary spirit introduced to instruct and counsel the Maid of Orleans. In the second edition of "Joan of Arc," Mr.

He is for a crusade for the regeneration of the Antilles; the most forcible of feebles, the most energetic of drivellers; Velluti acting Pietro l'Eremita." "Do you know, by any chance, whether Southey's Vindiciae is out yet? I wanted to look it over during the holidays." "Not out, though it has been advertised some time; but what do you expect?"

Southey was a man of letters pure and simple, and it is worth remarking that Macaulay himself admitted that he found so great a charm in Southey's style, as nearly always to read it with pleasure, even when Southey was talking nonsense.

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