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There were glad hearts all over the land, ringing of bells and firing of cannon, songs of praise and thanksgivings; for not only at Vicksburg, but at Gettysburg, the soldiers of the Union had won a great victory.
The popular songs of the twelfth and thirteenth centuries contain many references to the fact that nothing was to be had at Rome except for money, and that success in a cause went to the richest suitor. And yet Rome had many sources of wealth.
She had, I suppose, the largest collection in the country of tales and songs concerning devils, ghosts, fairies, brownies, witches, warlocks, spunkies, kelpies, elf-candles, dead-lights, wraiths, apparitions, cantraips, giants, enchanted towers, dragons, and other trumpery.
That malicious power, lurking for our destruction, gladly lulls its chosen victim to sleep with sweet songs and golden delusions; while on the other hand the rescuing messenger from Heaven often knocks sharply and alarmingly at our door. During the first few days of their voyage down the Danube they were extremely happy.
Of some of the songs which he reshaped into masterpieces for Johnson and Thomson he took no more than the air and measure; of others only the refrain or the first few lines; of others again stanzas or parts of stanzas. But everywhere he has stamped the version with something of his own something thenceforward inseparable from it, and yet characteristic of him.
She felt the joy of sunshine and of blue, the joy of love and of sympathy, the joy of health and of activity, the joy of sane passion that fights not against any law of God or man, the joy of liberty in a joyous land where the climate is kindly, and, despite poverty and toil, there are songs upon the lips of men, there are tarantellas in their sun-browned bodies, there are the fires of gayety in their bold, dark eyes.
We have separated them from that which gives quality and, meaning to their songs. One recalls Emerson's lines: "I thought the sparrow's note from heaven, Singing at dawn on the alder bough; I brought him home, in his nest, at even; He sings the song, but it cheers not now, For I did not bring home the river and sky; He sang to my ear, they sang to my eye."
It was Nourrit who popularized the songs of Schubert, and otherwise softened the French prejudice against modern German music. In private life this great artist was so witty, genial, and refined, that he was a favorite guest in the most distinguished and exclusive salons.
Still more, these songs are pervaded by a true Mohammedan sensualism; a reckless acquiescence in fate, and an implicit, unquestioning, dog-like devotion to whoever may be lord and master. Dibdin was a man of genius; but no wonder Dibdin was a government pensioner at L200 per annum.
The "atmosphere" of the cradle of the Epic Songs and of the cradle of Pravoslavnaya Russia laid its spell upon me on those heights, and even the sight of the cobweb suspension bridge in all its modernness did not disturb me, since with it is connected one of the most charming modern traditions, a classic in the language, which only a perfect artist could have planned and executed.
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