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Updated: May 24, 2025


But in Naples, it may well be that Cesare cared nought for these matters, busy and hopeful as he was just then. He dispatched Baldassare da Scipione to Rome to enlist what lances he could find, and Scipione put it about that his lord would soon be returning to his own and giving his enemies something to think about.

Lord Mount Edgcumbe tells us that the operas in which she specially excelled were "La Clemenza di Scipione," composed for her by John Christian Bach; Paesiello's "Elfrida"; "Armida," "Castore e Polluce," and others by Winter; and Mozart's "Clemenza di Tito."

I could not go out to see Aurelia; I could hardly even think of Aurelia while Virginia lay in my house with closed eyes, clenched hands and shuddering breath. I left Scipione in charge of her, and returned to my saloon, to pace the floor until he brought me word that she could be spoken with. This he did not do for some hours. He came in at last, shaking his head.

"My friend," he said, "I am not so young as I was, but I do believe that I can teach you something." With that he left me. Upon returning to my house, sadly out of countenance by the coldness of Aurelia, I was met by Virginia, who reminded me that Scipione had obtained leave of absence for the night in order to visit his wife.

In the course of eight years twelve operas were produced in rapid succession: "Floridante," December 9, 1721; "Ottone," January 12, 1723; "Flavio" and "Giulio Cesare," 1723; "Tamerlano," 1724; "Rodelinda," 1725; "Scipione," 1726; "Alessandro," 1726; "Admeto," 727; "Siroe," 1728; and "Tolommeo," 1728.

He first resolved to submit it to the criticism of Lionardo Salviati and Scipione Gonzaga, the latter of whom had been a member of the unlucky committee for the revision of the Gerusalemme. Unfortunately little or nothing is known as to the criticisms and recommendations of these two men. The work finally appeared, as we learn from a letter of the author, at Venice in December, 1589.

The contract, dated June 1494, is transcribed in Pungileoni's "Elogio Stor. di Giov. Santi.," p. 77. Vasari, iii. 689. The MS. is in the possession of Conte Scipione Bicchi-Borghese, Siena. Vasari, iii. 688. "Die Galerie zu Berlin," p. 46.

I did not see how she could be blamed, and after all the count was my friend and a man of honour. But I relieved my feelings by bestowing upon Master Scipione one of the handsomest drubbings his oily skin had ever received. I little knew then how richly he deserved it; but I found out before long, and then if I could have killed him I am sure I would have done it.

God of mercy!" he cried, as he looked into it, "your man must have shot you with a currycomb." When he had done his best for me I went to bed, and immediately fell asleep. I slept like a log until the hour of noon perfectly dreamless sleep. I heard the bells of the hour ringing and guessed the time; I remembered that Scipione was away; I remembered everything.

"That is a bad case, sir porca miseria!" says he. I hoped that she was better. "She's ashamed of herself, sir," he said, "as well she may be. What a scandal, my word! But these baggages have no modesty." The term offended me. I told him he was talking nonsense. "She is a true friend," I said, "whose sympathy may be excessive; but to take joy in my joy is the act of a friend." Scipione saluted me.

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