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Updated: June 1, 2025


But Elizabeth Eliza objected to the picture in Dr. Schliemann's book; she did not like it for Agamemnon, it was too slanting in the eyes. So it was decided he should take the part of Nick Bottom, in "Midsummer Night's Dream." He could then wear the ass's head, which would have the same advantage as a mask, and would conceal his own face entirely.

A couple of lumps of iron, one of them apparently the head of a club, were found in Schliemann's "Burned City" at Hissarlik; for the rest, swords, spear-heads, knives, and axes are all of bronze in the age called "Mycenaean." But we do not know whether iron implements may not yet be found in the sepulchres of Thetes, and other poor and landless men.

But he was dissatisfied with the representation given of him in Dr. Schliemann's "Mykenæ." There was a picture of Agamemnon's mask, but very much battered. He might get a mask made in that pattern, indeed, and the little boys were delighted with the idea of battering it. Agamemnon would like to wear a mask, then he would have no trouble in keeping up his expression.

If we could reason with any certainty from cranial capacity, this would appear to point to a different race, but it would not do to come to any positive conclusion with only one Trojan cranium to judge by. Vase ending in the snout of an animal. Found on the hill of Hissarlik at a depth of 45 1/2 feet. But to return to Dr. Schliemann's fine collection.

Schliemann's first idea was that he had discovered the Agora of Mycenæ, the 'well-polished circle of stones' on which the elders of the city sat for councilor judgment, as Hephæstos depicted them on the shield of Achilles; but even this discovery did not satisfy him; he was resolved to go down to virgin soil or rock, and his perseverance was rewarded.

Virchow investigated the most diverse subjects, as his profound studies of Schliemann's discoveries, as well as his other archaeological researches, show, and he was a rather prolific writer. The most important of his early works was Die Cellularpathologie, the first edition of which was published in 1858. Chance's English translation appeared in 1860, and Picard's French version came out in 1861.

Schliemann grew rich, and the opening up of Schliemann's Division, where town lots were sold at auction, and Anheuser-Busch played an important part, helped his bank-balance not a little. Schliemann grew rich: and the gentle reader being clairvoyant, now sees Schliemann weighed on his own hay-scales and wanting everything in sight tipping the beam at part of a ton.

Schliemann's discoveries, notwithstanding all the incredulity aroused by his sometimes rather headlong enthusiasm, created an extraordinary amount of interest among scholars and students of early European culture.

In 1890, the year of his death, Schliemann was on the way to the solution of the problem, and in 1892, his coadjutor, Professor Dörpfeld, finally proved that the Sixth City, lying four strata above Schliemann's Troy, was the true Ilion of the great epic.

In the village an ancient barrow had its story of a robber knight who had buried his favourite child there in a golden cradle; and near by was the old castle of Henning von Holstein, who, when besieged by the Duke of Mecklenburg, had buried his treasures close to the keep of his stronghold. On such romantic legends Schliemann's young imagination was nourished.

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