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Updated: May 6, 2025


According to his instructions, Villegas allowed Ribera to continue his journey to the camp; but made Augustino de Zarate a prisoner, and deprived him of his dispatches.

Spanish art is represented by a fine but unpleasing Ribera, 1725, Boy with a Club-foot, and to Velasquez are ascribed: 1735, The Infanta Maria Teresa, Queen of Louis XIV.; 1736, Unknown Portrait; 1733, L. of entrance, Philip IV. 1945 and 1946, R. wall, the Provost and Sheriffs, and Jean de Mesme, President of the Parlement of Paris, are excellent examples of Philippe de Champaigne's austere and honest art.

Its rage made the journey by water I had planned to Ribera Castellanos inadvisable, even had an owner of one of the little open boats of the fishermen been willing to trust himself on its treacherous bosom, and by blazing eleven I was plodding back over the road of yesterday. The orange vendors of Atequisa gathered around me at the station, marveling at the strength of my legs.

Can this story have been suggested, a ghastly nightmare, by the frightful tale of Sigismondo Malatesta and the beautiful Borbona, which was current in Boiardo's day? A serene and spotless art, a literature often impure but always cheerful, rational, civilized this is what the Italian Renaissance displays when we seek in it for spirits at all akin to Webster or Lope de Vega, to Holbein or Ribera.

Altamarino was one of the richest colonists in Peru, and Gonzalo, having confiscated all his wealth, distributed it among his most attached followers. After this, he gave the charge of the royal standard to Don Antonio de Ribera, who had just joined with thirty men from Guamanga, whence also he had brought some arms and cattle which he had taken from the inhabitants of that place.

Fearing capture by the French corsairs, this vessel had sailed by the way of the Azores, and leaving the treasure, with its custodians, at the island of Santa Maria, proceeded on without it, in order that a proper force might be sent to that island to bring it safely to Spain. Joan Ribera, the secretary of Cortes, came in the ship to Spain. These facts appear to have become notorious immediately.

This story however is doubtless colored, for, according to Palomino and several other writers, Ribera died at Naples in 1656. See page 132 of this volume. Over a certain fountain in Rome, there was a cornice so skilfully painted, that the birds were deceived, and trying to alight on it, frequently fell into the water beneath.

Centuries of sculptors carved marble and berroqueña; armies of artisans wrought marvels in cloths, metals, precious stones, glass, and wood, and a host of painters, both foreign and national, from Goya and Ribera to the Greco and Rubens, painted religious compositions for the sacristy and chapels.

Ribera had solemnly announced that the Moors were so greedy of money, so determined to keep it, and so occupied with pursuits most apt for acquiring it, that they had come to be the sponge of Spanish wealth.

Already, in the very first years of the century, John Ribera, archbishop of Valencia, had recommended and urged the scheme. It was too gigantic a project to be carried into execution at once, but it was slowly matured by the aid of other ecclesiastics. At last there were indications, both human and divine, that the expulsion of these miscreants could no longer be deferred.

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