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However, nobody has a right to demand the heroic from all the world; and if to publish his dissent from the opinions which he nominally holds would reduce a man to beggary, human charity bids us say as little as may be. We may leave such men to their unfortunate destiny, hoping that they will make what good use of it may be possible. Non ragioniam di lor.
To pass from hearing literature to reading it is to take a great and dangerous step. With not a few, I think a large proportion of their pleasure then comes to an end; 'the malady of not marking' overtakes them; they read thenceforward by the eye alone and hear never again the chime of fair words or the march of the stately period. NON RAGIONIAM of these.
The bitterest words in Dante are not bitter enough to render my feeling: "Non ragioniam di lor ma guarda e passa." The whole scene had sickened me. Hatred masquerading as justice, striking vindictively and adding insult to injury. The vile picture had its fit setting outside.
And if any, with profane leer and tongue in the cheek, take your sorrow for reproach or your pitifulness for a shame, let them receive the lash of the whip from one who will trouble to wield it: non ragioniam di lor.
But, if I know you at all, you are more likely to be groping for analogies between the characters in Petronius and those you will come across in the first months of your new London life. Fama di loro il mondo esser non lassa, Misericordia e giustizia gli sdegna: Non ragioniam di lor, ma guarda e passa.
Non ragioniam di lui, ma guarda e passa. Apart from their truculence, the early numbers of the Edinburgh and Quarterly are memorable for two reasons in the history of English literature. They mark the downfall of the absolute standard assumed by Johnson and others to hold good in criticism.
The bitterest words in Dante are not bitter enough to render my feeling: "Non ragioniam di lor ma guarda e passa." The whole scene had sickened me. Hatred masquerading as justice, striking vindictively and adding insult to injury. The vile picture had its fit setting outside.
To-day, "non ragioniam di lor," but let us see what this great change which perfects the art of painting mainly consists in, and means. For though we are only at present speaking of technical matters, every one of them, I can scarcely too often repeat, is the outcome and sign of a mental character, and you can only understand the folds of the veil, by those of the form it veils.
With not a few, I think a large proportion of their pleasure then comes to an end; "the malady of not marking" overtakes them; they read thenceforward by the eye alone and hear never again the chime of fair words or the march of the stately period. Non ragioniam of these. But to all the step is dangerous; it involves coming of age; it is even a kind of second weaning.
It is not necessary to speak here against the practical morality of Old Testament saints; the very names of Lot, Abraham, Isaac, Jacob, Moses, Joshua, Samuel, David, etc., bring before the mind's eye a list of crimes so foul, so cowardly, so bloody, that no enumeration of them can be needed. Of them, we may fairly say with Virgil: "Non ragioniam di lor, ma guarda e passa."
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