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Updated: June 2, 2025
There was genius in his house, too, I thought, when we got there; there was imagination in the carpets and curtains, in the pictures and books, in the garden behind it, where certain old brown walls were muffled in creepers that appeared to me to have been copied from a masterpiece of one of the pre-Raphaelites.
Poetry will more and more come to be understood as nothing but higher knowledge, and the only genuine Romance for grown persons, Reality." As I was copying this sentence, a pamphlet was put into my hand, written by a clergyman, denouncing "Woe, woe, woe! to exceedingly young men of stubborn instincts, calling themselves Pre-Raphaelites." By the Rev.
It was the fashion earlier, and it has been the fashion since, to undervalue Tintoret. He is not pious enough for the purists, nor decorative enough for the Pre-Raphaelites. The ruin or the restoration of almost all his pictures makes it impossible for the ordinary amateur to judge them; they need reconstruction in the mind's eye, and that is a dangerous process.
Nothing, it seems to us, could be more mistaken than this; for, in all that concerns either the end of Art or its paths of approach, its purposes or its methods, Turner and the Pre-Raphaelites are diametrically opposed. Turner was intensely subjective, the Pre-Raphaelites are as intensely objective.
There is no evidence whatever in Turner's works that he ever made the slightest attempt to reproduce Nature in such guise as the Pre-Raphaelites paint her in; on the contrary, the early drawings of Turner are as inattentive to absolute truth of detail as they could well be. His course of study was one of memory.
Then he had been tempted by the English pre-Raphaelites, and a fine copy of the famous 'Song of Love', by Burne-Jones, attested that reaction on the side of an art more subtle, more impressed by that poetry which professional painters treat scornfully as literary. But Lincoln was too vigorous for the languors of such an ideal, and he quickly turned to other teachings.
Set these in a little valley, framed by mountains whose rocks gleam out blue and purple colours such as pre-Raphaelites only dare attempt, shining out hard and weird-like amongst the clumps of castor-oil plants, oistus, arbor vitae and many other evergreens, whose names, alas! I know not; the cistus is brown now, the rest all deep or brilliant green.
Pre-Raphaelites they called themselves; not that they imitated the early Italian masters at all, but that in their work, as opposed to the facile abstractions of Raphael, they found a stronger realism of imagination, a more careful realism of technique, a vision at once more fervent and more vivid, an individuality more intimate and more intense.
It is where the idea guides the hand that the Pre-Raphaelites are triumphant; everywhere else they fail. But this is a fault which will correct itself as they learn the significance and value of things they do not now understand.
Nor do we complain that we have an old woman or a coarse merrymaking occasionally, but that such things in their monotonous meanness fill whole rooms of "George Eliot's" gallery; and, in truth, the real parallel to her is not to be found in the old Dutchmen who honestly painted what was before their eyes, but rather in the perverseness of our modern "pre-Raphaelites."
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