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Updated: May 31, 2025


The assertion is only applicable to a small boisterous class who have never seen anything beyond their own shores. A much commoner element of Antipodean life, one which some of Mrs. Praed's characters notably illustrate, is the desire for wider experience and culture produced among educated people by their constant use of British and European literature.

A similar division might be made between the male characters, though here the preponderance of the bad would not be so great as in the first case. The descriptions of English society which are amongst Mrs. Praed's best work are marked by the same clear vision of the darker side of human nature that is displayed in the treatment of English character in her Australian novels.

Besides, I'm to meet Frank at Praddy's studio in order to tell him the history of the last thirteen years." As they walked away: "You know, Michael, I'm still hoping we may be friends without being lovers. I wonder whether Linda would get to like me?" At Praed's studio. Lewis Maitland Praed is looking older. He must be now November, 1910 about fifty-eight or fifty-nine.

Queensland, the scene of Mrs. Praed's colonial experience and the 'Leichardt's Land' of her stories, differs notably from the rest of Australia only in climate; its social and political conditions are essentially the same in character as those in the rest of the country. Like several of her heroines, Mrs. Praed alternated life in the country with the gaieties of the capital.

The subtle skill with which some of the nobler qualities of her women are brought out, especially their capacity for self-sacrifice and devotion, marks Mrs. Praed's highest point of achievement in the portrayal of character. Her knowledge of the mental complexities of her own sex is both deeper and better expressed than her observation of men.

Indeed, starting from the Rossiters' Thursdays and Praed's studio suppers, he was being taken up by persons of influence who were pleased to find him witty, possessed of a charming voice, of quiet but unassailable manners. Opinions differed as to his good looks.

In the first number, besides a great deal of his that is still worth reading, there were printed under his adopted signature of Tristram Merton two little poems, the nature of which may be guessed from Praed's editorial comments. "Tristram Merton, I have a strong curiosity to know who Rosamond is.

I am afraid I am growing poetical, which is a bad thing for a lawyer, for the flower of poetry cannot flourish in the arid wastes of the law. On reading what I have written, I find I have been as discursive as Praed's Vicar, and as this letter is supposed to be a business one, I must deny myself the luxury of following out a train of idle ideas, and write sense.

On the other hand, neither Hood's breeding, nor, I think, his nature, allowed him to display the exquisite airiness, the delicate artificial bloom and perfection, of Praed's best vers de société the Season, the Letter of Advice, and the rest. This last bloom has never been quite equalled even Prior's touch is coarse to it, even that of the late Mr. Locker is laboured and deliberate.

"Weally," said Horner, who usually put on most of his w and r ish airs when in the presence of ladies in evening costume: in the day he sometimes spoke more plainly. "Weally, how clevah you ah! I asshaw you, I didn't gwess it for neawy a week ah!" "I can quite believe that!" said Seraphine, wickedly. "Did you ever hear any of Praed's charades?" I asked Min. "No," she said. "Do you recollect some?"

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