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Phidias formed sublime images of the gods, but lent them an extrinsic magnificence of material, and surrounded their majestic repose with images of the most violent struggles in strong relief. Polycletus carried his art to perfection of proportion, and hence one of his statues was called the Standard of Beauty.
Great artists had previously made themselves famous, like Miron, Polycletus, and Ageladas; but the great riches which flowed into Athens at this time gave a peculiar stimulus to art, especially under the encouragement of such a ruler as Pericles, whose age was the golden era of Grecian history.
"The never-ending dispute," Myrtilus answered his fellow-artist, with a cordiality in which, nevertheless, there was a slight accent of pity. "Surely you know it, Daphne. To me the ideal and its embodiment within the limits of the natural, according to the models of Phidias, Polycletus, and Myron is the highest goal, but he and his co-workers seek objects nearer at hand."
O lad!" exclaimed the painter, with a loud laugh, "you have fairly brought yourself into a dilemma at last, dear doctor; for it is well known that your ancient Greek and Roman artists knew nothing at all of the matter, in comparison with our modern masters; for this good reason, because they had but three or four colours, and knew not how to paint with oil: besides, which of all your old fusty Grecians would you put upon a footing with the divine Raphael, the most excellent Michael Angelo, Bona Roti, the graceful Guido, the bewitching Titian, and above all others, the sublime Rubens, the ." He would have proceeded with a long catalogue of names which he had got by heart for the purpose, without retaining the least idea of their several qualifications, had not he been interrupted by his friend, whose indignation being kindled by the irreverence with which he mentioned the Greeks, he called him blasphemer, Goth, Boeotian, and, in his turn, asked with great vehemence, which of those puny moderns could match with Panaenus of Athens, and his brother Phidias; Polycletus of Sicyon; Polygnotus, the Thracian; Parrhasius of Ephesus, surnamed Abrodiaitos, or the Beau; and Apelles, the prince of painters?
On his return from that expedition, he appointed a day for the hearing; and when some of the heirs, as though out of respect to Eurythmus, offered to withdraw the suit, the emperor nobly replied, "He is not Polycletus,107 nor am I Nero." However, he indulged the petitioners with an adjournment, and the time being expired, he now sat to hear the cause.
He tells us, in his own admirable style, the story of Zeuxis, and the selection which he made from all the beauties of Crotona, in order to combine their several points of perfection in his portrait of Helen; he refers more than once, and always in language which implies an appreciation of the artist, to the works of Phidias, especially that which is said to have cost him his life the shield of Minerva; and he discusses, though it is but by way of illustration, the comparative points of merit in the statues of Calamis, and Myron, and Polycletus, and in the paintings of the earlier schools of Zeuxis, Polygnotus, and Timanthes, with their four primitive colours, as compared with the more finished schools of Protogenes and Apelles.
Nor did any generous and ingenuous young man, at the sight of the statue of Jupiter at Pisa, ever desire to be a Phidias, or, on seeing that of Juno at Argos, long to be a Polycletus, or feel induced by his pleasure in their poems to wish to be an Anacreon or Pliletas or Archilochus.
Hence in every first- class oration we find a thousand extempore figures of speech, even in those which we know to have been carefully edited. For example, in the Speech against Verres: " some artist. What was his name? Yes, you are quite right. My friends here tell me it was Polycletus."
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