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Of a very different type is the piece which comes next the Amphrituo in acknowledged excellence, the Captivi. The development of the plot has won high praise from all critics, and justifies the boast of the epilogue, Huiusmodi paucas poetae reperiunt comoedias. But the praise which the author gives to his own piece

Quod si legere aut audire voletis externa, maximas res publicas ab adulescentibus labefactatas, a senibus sustentatas et restitutas reperietis. Cedo qui vestram rem publicam tantam amisistis tam cito? sic enim percontantur in Naevi poetae Ludo. Respondentur et alia et hoc in primis: proveniebant oratores novi, stulti adulescentuli. Temeritas est videlicet florentis aetatis, prudentia senescentis.

The best example of this Graecised metre is the celebrated line "Dabunt malum Metelli | Naevio poetae."

Of those plays which border on the sentimental the best is the Captivi, which the poet himself recommends to the audience on the score of its good moral lesson, adding with truth "Huiusmodi paucas poetae reperiunt comoedias Ubi boni meliores fiant." We are told that Plautus took the greatest pleasure in his Pseudolus, which was also the work of his old age.

The economists cannot deny that they have before them the fragments, scattered pell-mell, of a chef-d'oeuvre, disjecti membra poetae; but it has been impossible for them as yet to recover the general design, and, whenever they have attempted any comparisons, they have met only with incoherence.

Nunquam in republica senatoribus potestas recuperata, postremum species etiam amissa est. On the same occasion Longfellow had the salutatory oration in Latin 'Oratio Latina; Anglici Poetae." Hawthorne has given us a charming glimpse of himself as a college boy in the letter to his fellow-student, Horatio Bridge, of the Navy, whose Journal of an African Cruiser he afterwards edited.

"Nam os columnatum poetae esse indaudivi barbaro, Quoi bini custodes semper totis horis accubant." The poet, however, did not learn wisdom from experience. He lampooned the great Scipio in some spirited verses still extant, and doubtless made many others feel the shafts of his ridicule.

OLIVARII GOLDSMITH, Poetae, Physici, Historici, Qui nullum ferè scribendi genus Non tetigit, Nullum quod tetigit non ornavit. Sive risus essent movendi, Sive lacrymae, Affectuum potens at lenis dominator: Ingenio sublimis, vividus, versatilis, Oratione grandis, nitidus, venustus: Hoc monumento memoriam coluit Sodalium amor, Amicorum fides, Lectorum veneratio.