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Surely the making of a virtuoso is an expensive matter. Let us take the estimate of the young pianist's father, who practically mortgaged his financial existence to give his daughter the right musical training. Lessons with first teacher at $1.00 a lesson. Eighty lessons a year for four years $240.00 Lessons with second American teacher for two years at $2.00 a lesson 320.00

The mere fact of committing to memory such a quantity of pages is no small item in the pianist's equipment. The problem is to discover the best means of memorizing music quickly and surely. Here again we are privileged to inquire of the artist and of the artist teacher. His knowledge and experience will be practical, for he has evolved it and proved it over and over again.

The youth of the other aspect is commonly slender, his face is smooth, and apt to be pallid, his features are regular and of a certain delicacy, his eye is bright and quick, his lips play over the thought he utters as a pianist's fingers dance over their music, and his whole air, though it may be timid, and even awkward, has nothing clownish.

For he was now moving daily among those strange creations of man's brain, to some so abhorrent, to him of an interest so inexhaustible: in which iron, water, and fire are made to serve as slaves, now with a tread more powerful than an elephant's, and now with a touch more precise and dainty than a pianist's.

Adam, however, kept a strict watch on all his movements, and this became irksome to the boy, who felt he was already a man. But father Liszt's health became somewhat precarious; constant traveling had undermined it. They remained in Paris quietly, till the year 1826, when they started on a second tour of French cities till Marseilles was reached, where the young pianist's success was overwhelming.

Certainly, in the paraphernalia of the modern recital with its lowered lights and its solitary figure playing away at a polished instrument one may find something of the physical apparatus employed by the professional hypnotist to insure concentration but even this can not account for the pianist's real attractiveness. If Mr.

"It isn't a particularly lively time, it seems to me, for either of you," said Gregory. It was his instinct to blame Madame von Marwitz for the featureless lives led by her dependents, though he could but own that it might, perhaps, be difficult to fit them into the vagabondage of a great pianist's existence. "Well, it's good enough for me," said Mrs. Talcott.

The speaker joined in the laugh his remark called up, which brought to mind the Chevalier's famous battle-horse, "The Awakening of the Lion." "De Konstki's style was very brilliant and I endeavored to imitate him in this respect. I did quite a little concert work at that time. Realizing, however, that a pianist's income must be rather precarious, I decided to teach.

But this time his voice cracked: which made him angry, with a stern and controlled anger. Still singing, he turned slowly to the pianist, and fiercely glared at the pianist's unconscious back. The obvious inference was that if his voice had cracked the fault was the pianist's. The pianist, poor thing, utterly unaware of the castigation she was receiving, stuck to her business.

I remember his long white fingers, that looked like a pianist's; and, indeed, there was something of a musician, of a virtuoso, about his whole figure. The first violins in orchestras look just like that. He used to cough, suffered from migraine, and seemed invalidish and delicate. Probably at home he was dressed and undressed like a baby.