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Updated: June 13, 2025
Della Quercia, on the façade of S. Petronio, confines himself to the creative act, expressed by the raised hand of the Maker, and the answering attitude of Eve; and this conception receives final treatment from Michael Angelo in the frescoes of the Sistine. What Giotto himself was, as a designer for sculpture, is shown in the little reliefs upon the basement of his campanile.
We hear, besides, that Jacopo della Quercia spent twelve years over one of the gates of S. Petronio, and that other sculptors carried out similar great works with the assistance of one man, or with no assistance at all, a proceeding which would have seemed the most frightful waste except in a time and country where half of the sculptors were originally stone-masons and the other half goldsmiths, that is to say, men accustomed to every stage, coarse or subtle, of their work.
Her monument is in the Bacciocchi Chapel in San Petronio, Bologna. Caroline, the wife of Murat, was the only one of the family untrue to Napoleon. Very ambitious, and forgetting how completely she owed her Kingdom of Naples to her brother, she had urged Murat in 1814 to separate from Napoleon, and, still worse, to attack Eugene, who held the north of Italy against the Austrians.
An hour afterwards, Fastidio returned with all his performers, and my surprise may be imagined when amongst them I recognized Petronio and his sister Marina, who, the moment she saw me, screamed for joy, jumped over the grating, and threw herself in my arms. A terrible hubbub followed, and high words passed between Fastidio and the harbour-master.
XXXII. So he arrived at Bologna one morning, and going to San Petronio to hear mass, behold, the grooms of the Pope, who recognised him and conducted him to his Holiness, who was at table in the Palazzo de’ Sedici. When he saw Michael Angelo in his presence, Julius, with an angry look, said to him, "You ought to have come to us, and you have waited for us to come to you."
The name of Christ and of God rarely occurs in her popular formulas. In the Duomo of Bologna, the only god supplicated, the only god known, is San Petronio. The tendency of the worship of the Church of Rome is to efface God from the knowledge and the love of her members. And so completely has this result been realized, that, as one said, "You might steal God from them without their knowing it."
His bas-reliefs upon the façade of S. Petronio at Bologna, and round the font of S. John's Chapel in the cathedral of Siena, enable us, however, to compare his style with that of Ghiberti in the handling of a subject common to both, the "Creation of Eve." There is no doubt but that Della Quercia was a formidable rival.
"You are welcome to the ride," said the good fellow, "but I would advise you not to get on the mule till we are outside the city, and to pass through the gate on foot as if you were one of the drivers." It was exactly what I wanted. Petronio accompanied me as far as the gate, where I gave him a substantial proof of my gratitude.
This artist was the first woman to succeed as a sculptor whose works can still be seen. Pupil of Raimondi, she was more or less influenced by Tribolo. In the Church of San Petronio, in her native city, in the eleventh chapel, is a beautiful bas-relief of two angels, executed by Properzia. They are near Tribolo's "Ascension." A relief and a portrait bust in the same church are also ascribed to her.
When Julius received news that his statue had been duly cast and set up in its place above the great door of S. Petronio, he began to be anxious to have Michelangelo once more near his person. The date at which the sculptor left Florence again for Rome is fixed approximately by the fact that Lodovico Buonarroti emancipated his son from parental control upon the 13th of March 1508.
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