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The coadjutor proceeded onward to the quay by way of the Rue de la Monnaie; there he found groups of bourgeois clad in black cloaks or gray, according as they belonged to the upper or lower bourgeoisie. They were standing motionless, while single men passed from one group to another.
After endless and unsuccessful attempts at getting the matter settled, I at last begged Edouard Monnaie, the Commissaire for the Royal Theatres, who was not only a friend of mine, but also editor of the Gazette Musicale, to act as mediator.
Exact experiments, made by LEFEVRE-GINEAU, with instruments constructed by FORTIN, shewed the weight of the cubic decimetre of distilled water, at the point of the greatest condensation to be 18827.15 grains of the pile of 50 marcs, which is preserved here in the Hotel de la Monnaie, and is called Le poids de Charlemagne; the toise being supposed at 13 degrees of the thermometer of 80 degrees.
Debussy's Pelléas et Mélisande, drame lyrique en 5 actes et 12 tableaux, was performed for the first time on any stage at the Opéra-Comique, Paris, April 30, 1902. Its first performance outside of Paris was at the Théâtre de la Monnaie, Brussels, January 9, 1907; its second was at Frankfort, April 19, 1907. Its third will be the coming production at the Manhattan Opera House, New York.
The twenty men marched straight toward the barrier, but from behind the beams, from among the wagon-wheels and from the heights of the rocks a terrible fusillade burst forth and at the same time Planchet's halberdiers appeared at the corner of the Cemetery of the Innocents, and Louvieres's bourgeois at the corner of the Rue de la Monnaie.
They pronounced the music charming, and Scribe expressed his willingness to arrange the libretto for me as soon as the managers of the opera had decided on accepting the piece; all that M. Monnaie had to reply to this offer was that it was impossible for them to do so at present.
Nothing helps one to grasp the essence of M. d'Indy's personality more than his last dramatic work. His personality shows itself plainly in all his compositions, but nowhere is it more evident than in L'Étranger. Poem and music by M. Vincent d'Indy. Played for the first time at Brussels in the Théâtre de la Monnaie, 7 January, 1903.
It was originally the house of one of the wealthy families of Caen named Le Valois, and was known as the Hotel d'Escoville. Another splendid house is the Hotel de la Monnaie built by the famous and princely merchant Etienne Duval, Sieur de Mondrainville, whose great wealth enabled him to get sufficient supplies into Metz to make it possible for the place to hold out during its siege in 1553.
For one thing, this island was at first the whole of the city, for the plot now forming the Place Dauphine was a meadow attached to the Royal demesne, where stood a stamping mill for coining money. Hence the name of Rue de la Monnaie the street leading to the Pont Neuf.
A pretty basket of azaleas came from the Director of the Monnaie. In the middle of the room, on a marble table with protruding golden feet, stood a huge basket of orchids of every shade this orgy of rare flowers was an attention from the Count. The girl grew red as she raised her eyes to thank him.
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