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Updated: May 5, 2025


Because of the frequency of changes found throughout these songs, and noting, as heard in the records, the precision with which, in nearly every instance, a new rhythm is taken, I conclude that the Tinguian have a remarkable grasp of different metric values, which enables them to change readily from one to the other.

We introduce it into the civil order of things, we take the calendar out of the hands of the Church, we purge it of its Christian imagery; we make the new era begin with the advent of the Republic; we divide the year according to the metric system, we name the months according to the vicissitudes of the seasons, "we substitute, in all directions, the realities of reason for the visions of ignorance, the truths of nature for a sacerdotal prestige," the decade for the week, the decadi for Sundays, lay festivals for ecclesiastical festivals.

Naturally this trait would stamp itself upon their music, and I consider the use of such frequent metric changes a dominant characteristic. Although frequent rhythmic change is also strongly characteristic of the music of some other peoples, as I have indicated elsewhere, it is important to tabulate it here to differentiate the Tinguian from those peoples who do not make use of it.

Ideas and not emotions are his province.... To the metric presentment of ideas he imparts a charm of musical utterance unachieved before his time." "30th Nov., 1857. "My dear Nicholson,

In all crafts and arts, in all machines, in organic bodies, in our daily occupations everywhere there is rhythm, meter, accent, melody. All that we do with a certain skill unnoticed, we do rhythmically. There is rhythm everywhere; it insinuates itself everywhere. All mechanism is metric, rhythmic. There must be more in it than this. Is it merely the influence of inertia?"

"The metric system, now universal, superseded the old-fashioned arbitrary standards, so prolific of mistakes and confusion, about a century ago.

But Father is quite unconcerned, though last year he was very much bothered about Oswald, and poor dear Mother was frightfully anxious: "Pooh," said Oswald, "I shall soon show them that there's no need to bother; all one wants at the metric is cheek, that's the whole secret!" And father had brought two bottles of champagne to Rodaun, ready to celebrate Oswald's return.

His camera lens is always used at a fixed height from the ground and forms its image on the plate at an exact focus. The print made from the negative is mounted on a card in a space of definite size, along the edges of which a metric scale is printed. In the way he has worked it out, the distance between any two points in the picture can be determined.

McLoughlin motioned to Hanford to reply. "A fake?" repeated the latter contemptuously. "How about the affidavits? There's no negative. You've got to prove that the original print stolen from Travis, we'll say, is a fake. You can't do it." "September 19th was the date alleged, I believe?" asked Kennedy quietly, laying down the bundle of metric photographs and the alleged photographs of Travis.

His camera lens is always used at a fixed height from the ground and forms its image on the plate at an exact focus. The print made from the negative is mounted on a card in a space of definite size, along the edges of which a metric scale is printed. In the way he has worked it out the distance between any two points in the picture can be determined.

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