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You must go and consult the famous juggler who even now is visiting the city. Sell your jade-stones and other jewels, for this man of wisdom will not listen unless his attention is attracted by huge sums of money." The feathered messenger flew out of her room, but Ko-ai had heard enough to make her happy.

And so we may say that Kwan-yu was prepared to die. In fact, on the night before the final casting he had a dream in which he saw himself kneeling before the headsman and cautioning him not to forget the binding agreement the latter had entered into. Of all those present in the great foundry, perhaps the devoted Ko-ai was the least excited.

Night and day she racked her brains for some plan, but all to no avail. On the day before the third casting, as Ko-ai was sitting in front of her brass mirror braiding her long black hair, suddenly a little bird flew in at the window and perched upon her head. Immediately the startled maiden seemed to hear a voice as if some good fairy were whispering in her ear: "Do not hesitate.

Gold cannot unite with silver, nor brass with iron, unless the blood of a maiden is mingled with the molten metals, but the girl who gives up her life to bring about the fusion must be pure and good." With a sigh of despair Ko-ai heard the astrologer's answer.

And so poor Ko-ai for that was the maiden's name was silenced, and went back to her fancy-work with a big tear stealing down her fair cheek, for she loved her father dearly and there had come into her heart a strange terror at thought of his possible danger. Meanwhile, Kwan-yu was summoned to the Forbidden City, which is in the centre of Peking, and in which stands the Imperial palace.

On the first and fifteenth day of every moon he went himself to the temple and implored the gods to grant him their friendly assistance, while Ko-ai added her prayers to his, burning incense and weeping before the grinning idols.

Her form was such as poets love to describe and painters limn; there was grace and ease in every movement; she appeared to glide rather than walk, so light was she of foot. Add to her other charms that she was skilful in verse-making, excellent in embroidery, and unequalled in the execution of her household duties, and we have but a faint description of Ko-ai, the beautiful daughter of Kuan Yu."

A dead silence prevailed through the vast assemblage as the melted metal once more rushed to its destination; this was broken by a shriek, and a cry, "For my father!" and Ko-ai was seen to throw herself headlong into the seething, hissing metal.

She returned home full of horror at this information, yet inwardly resolving to immolate herself rather than allow her father to fail. The day for the casting at length came, and Ko-ai requested her father to allow her to witness the ceremony and "to exult in his success," as she laughingly said.