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Updated: June 7, 2025
Holtei had made her acquaintance at this time, and it was a delight to hear her speak of those gay, brilliant days. How often Baron von Humboldt, Rauch, or Schleiermacher had escorted her to dinner! Hegel had kept a blackened coin won from her at whist. Whenever he sat down to play cards with her he liked to draw it out, and, showing it to his partner, say, "My thaler, fair lady."
Now that the catastrophe had occurred, I learned that Holtei had in fact used these interviews for making improper advances to my wife, the nature of which I only realised with difficulty on further acquaintance with this man's peculiarities, and after having heard of other instances of a similar nature.
Holtei had made her acquaintance at this time, and it was a delight to hear her speak of those gay, brilliant days. How often Baron von Humboldt, Rauch, or Schleiermacher had escorted her to dinner! Hegel had kept a blackened coin won from her at whist. Whenever he sat down to play cards with her he liked to draw it out, and, showing it to his partner, say, "My thaler, fair lady."
At the time of my birth she was thirty-five, and, as I have heard from many old acquaintances, in the full glow of her beauty. My father had been one of the Berlin gentlemen to whose spirit of self-sacrifice and taste for art the Konigstadt Theater owed its prosperity, and was thus brought into intimate relations with Carl von Holtei, who worked for its stage both as dramatist and actor.
On the other hand, the carrying out of this resolve, in view of the financial inconvenience it entailed, produced strange complications, the nature of which was only revealed to me later, when startling developments divulged the real moral character of the manager Holtei. For the present I had to let people think that I was jealous of my wife.
Before long there were but a few members of our company with whom I had not quarrelled, thanks to one or the other of these drawbacks. But my saddest experience was, that in such disputes, into which in fact I was led simply by my zeal for the artistic success of the performances as a whole, not only did I receive no support from Holtei, the director, but I actually made him my enemy.
But to this position he was first dragged from obscurity, across the bridge of infidelity to his friend, and by the aid of virtue in the person of Director Holtei, thanks to a magnanimous oversight on the part of Franz Listz.
It was just at the time when a special performance of the opera Norma was to be given by our company in Mitau. Holtei insisted on my getting up from a sick-bed to make this wintry journey, and thus to expose myself to the danger of seriously increasing my cold in the icy theatre at Mitau.
Holtei tried to persuade me to write a bright, gay comic opera, or rather a musical play, to be performed by our company just as it stood. I managed, however, to get to work on the libretto of Rienzi, which I had sketched out at Blasewitz.
At the time of my birth she was thirty- five, and, as I have heard from many old acquaintances, in the full glow of her beauty. My father had been one of the Berlin gentlemen to whose spirit of self- sacrifice and taste for art the Konigstadt Theater owed its prosperity, and was thus brought into intimate relations with Carl von Holtei, who worked for its stage both as dramatist and actor.
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