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Updated: June 2, 2025
Eighteen months after his return the poet admits that Hobhouse was his best friend; and when he unexpectedly walked up the stairs of the Palazzo Lanfranchi, at Pisa, Madame Guiccioli informs us that Byron was seized with such violent emotion, and so extreme an excess of joy, that it seemed to take away his strength, and he was forced to sit down in tears.
He left in September with La Guiccioli, passed by Lerici and Sestri, and then for the ten remaining mouths of his Italian life took up his quarters at Albaro, about a mile to the east of the city, in the Villa Saluzzo, which Mrs. Shelley had procured for him and his party.
Whether it was this same fortune-teller who foretold that he would, in his twenty-seventh year, incur some great misfortune, is not certain; but, considering his unhappy English marriage, and his subsequent Italian liaison with the Countess Guiccioli, the marital prediction was not far from receiving its accomplishment.
This woman was Teresa, Countess Guiccioli, whom he first came to know in Venice. She was then only nineteen years of age, and she was married to a man who was more than forty years her senior. Unlike the typical Italian woman, she was blonde, with dreamy eyes and an abundance of golden hair, and her manner was at once modest and graceful.
'Now, said he, 'there are supposed to be nineteen dialects of the Italian language, and I shall let you hear a lady speak the principal of them, who is considered to do it very well. I pricked up my ears at hearing this, as I considered it would afford me an opportunity of seeing the far-famed Countess Guiccioli.
Myrrha has been often identified with La Guiccioli, and the hero's relation to his Queen Zarina compared with that of the poet to his wife; but in his portrait of the former the author's defective capacity to represent national character is manifest: Myrrha is only another Gulnare, Medora, or Zuleika.
The unhappy distrusts and political jealousies of the times obliged Lord Byron, with the Gambas, the family of the Guiccioli, to remove from Ravenna to Pisa. In this compulsion he had no cause to complain; a foreigner meddling with the politics of the country in which he was only accidentally resident, could expect no deferential consideration from the government.
Those whom he excluded or patronized, maligned; those to whom he was genial, loved him. Mr. Southey, in all sincerity, regarded him as the principle of Evil incarnate; an American writer of tracts in the form of stories is of the same opinion: to the Countess Guiccioli he is an archangel. Mr. Carlyle considers him to have been a mere "sulky dandy."
His Lordship took the stranger into an inner room, and introduced him to a young lady who was in a state of great agitation. This was the Guiccioli; presently her brother also, in great agitation, entered, having his arm in a sling. This scene and confusion had arisen from a quarrel among the servants, in which the young Count, having interfered, had been stabbed.
He wrote some of his most famous poems at this time, and he hoped for the day when he and the woman whom he loved might be united once for all. This came about in the end through the persistence of the pair. The Countess Guiccioli openly took up her abode with him, not to be separated until the poet sailed for Greece to aid the Greeks in their struggle for independence.
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