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Updated: May 17, 2025
It is, as I have said, by form rather than colour that Signorelli obtains his best effects. He is a superb linealist, as the often-quoted "Flagellation" shows, and one is inclined to wish he had oftener used outline, as here, in the manner of Pier dei Franceschi.
I say "mainly," because there is at least one other sculptor who may well have belonged to the year 1709, but who fortunately has left us little. Examples of his work may perhaps be seen in the nearest villain with a big hat in the Flagellation chapel, and in two cherubs in the Assumption of the Virgin.
The influence of this fanaticism was great and threatening, resembling the excitement which called all the inhabitants of Europe into the deserts of Syria and Palestine about two hundred and fifty years before. The appearance in itself was not novel. As far back as the eleventh century, many believers in Asia and Southern Europe afflicted themselves with the punishment of flagellation.
From the first this tendency is noticeable, for example, in the above-mentioned "Flagellation," and the Loreto "Conversion of Saul," and goes on increasing until it reaches a climax in the frescoes of Orvieto.
The following hints are offered "in the milk of human kindness" to all "young gentlemen" who hire a horse, or a horse and gig, to go the amazing distance of Kew or Richmond, on Sundays; and may be compelled to flog the "tired jade" the last three miles back, in order to get it home before midnight; also to prevent the annoying necessity of pulling up in a street adjacent to the livery-stables, to cut off the frayed end of the whip thong, that the ostler may not detect their flagellation.
To the right are three lunettes, which contain paintings by the same great master, representing the Baptism, Temptation, and Flagellation of St. Jerome. On the left of the arcade are portraits of the most prominent saints of the Hieronomyte order.
Does not the name suggest a figure of elongated humanity with a touch of ancient mysticism and yet also of the fantastical humour of Don Quixote? In outward appearance Shiel Crozier, otherwise J. G. Kerry, of Askatoon, was like his name for the greater part of the time. Take him in repose, and he looked a lank ascetic who dreamed of a happy land where flagellation was a joy and pain a panacea.
He was, I say, tied to an oak, naked from the waist up, and a clown, whom I afterwards found to be his master, was scarifying him by lashes with the reins of his mare. As soon as I saw him I asked the reason of so cruel a flagellation.
We would be ashamed to doubt, and properly, too. Even the very part of Jerusalem where this all occurred is there yet. So there is really no room for doubt. The priests tried to show us, through a small screen, a fragment of the genuine Pillar of Flagellation, to which Christ was bound when they scourged him. But we could not see it, because it was dark inside the screen.
Suppose the man, with the watch in his pocket, were to inflict the severest flagellation on himself: would that lessen my sense of injury? Would it set anything right? Would it anyway atone? Would it give him a right to the watch? Punishment may do good to the man who does the wrong, but that is a thing as different as important.
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