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Updated: May 27, 2025
According to the literature, fictional and historical, Vane was kind enough to supply me with, men of note were invariably sad dogs. That my temperament was not that of the sad dog, that I lacked instinct and inclination for the part, appeared to this young idiot of whom I am writing in the light of a defect.
The animal, awake, has no fictional escape from the Real because he has no imagination. Man, awake, is compelled to seek a perpetual escape into Hope, Belief, Fable, Art, God, Socialism, Immortality, Alcohol, Love. From Medusa-Truth he makes an appeal to Maya-Lie." Ben will agree that I have quoted him fairly.
It were supererogatory to attempt dealing with the ladies mentioned in the Bible and the Apocrypha, such as Jael, who drove the nail into the head of Sisera, or Judith, who cut off the head of Holofernes. Their stories are plainly and excellently told in the Scriptural manner, and the adding of detail would be mere fictional exercise.
They personalized his world in a professional and impersonal manner that gave him fortitude to float through the expanse of his existential turns where it seemed that there were no other sailors. Maybe, he thought to himself, he would go into a video pang later and let drama absorb him in a personal intimacy with a fictional entity of depth and substance. He had no misgivings.
Were we given to the doubtful utility of fictional biography, were we weak enough to enrich ourselves by pandering to the morbid and often depraved longings of modern literary taste, we might fill a couple of volumes with scenes of excitement, of "hair-breadth 'scapes," and with heart-palpitating suspenses of misplaced love.
By many white residents in Samoa it was believed to occasionally reach a length of from twenty to twenty-five feet; as a matter of fact it seldom exceeds ten feet, but its great girth, and its solitary, nocturnal habit of haunting the mouths of shallow streams has invested it even to the native mind with fictional powers of voracity and destruction.
To adopt another illustration, I should say that Dickens was the John Leech of fictional literature, Thackeray its Hogarth. Even Jerrold, I think, in his most bitter, cynical moods, was truer to life and nature than Dickens. Did you ever read the former's Story of a Feather, by the way?" "No," answered Mawley, testily, "I can't say I ever did; and I don't think it likely I ever will."
This is not a story of the Maharajah's emeralds; only a knot in the landing-net of which I have already spoken. I may add with equal frankness that Haggerty, upon his own initiative, never proceeded an inch beyond the keyhole episode. It was one of his many failures; for, unlike the great fictional detectives who never fail, Haggerty was human, and did.
There is an episodic book, "Memoirs, supposed to be written by a lady of quality," and really giving the checkered career of Lady Vane, a fast gentlewoman of the time, done for pay at her request, which is illustrative of the loose state of fictional art in its unrelated, lugged-in character: and as well of eighteenth century morals in its drastic details.
These same critics also complain that a fantastic plot is frequently developed at the expense of characterization. To this, one may answer that at times what happens can be more important than the people to whom it happens. In essence, both charges derive from laying undue stress upon psychology as the only legitimate fibre from which a fictional cloth may be woven.
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