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But then as Mr. Philip Hale asks: Why this timidity at being called decadent? What's in the name? Havelock Ellis in his masterly study of Joris Karl Huysmans, considers the much misunderstood phenomenon in art called decadence. "Technically a decadent style is only such in relation to a classic style.
While the carriage was getting ready, Glossin had a letter to compose, about which. he wasted no small time. It was to his neighbour, as he was fond of calling him, Sir Robert Hazlewood of Hazlewood, the head of an ancient and powerful interest in the county, which had in the decadence of the Ellangowan family gradually succeeded to much of their Authority and influence.
I think Jane will come out of the Valley of the Shadow a finer and better woman she was always of a very superior kind." "Mother, you allude to something that troubles me. I have seen Jane bear and do things lately that a year ago she would have indignantly refused to tolerate. Is not this a decadence in her superior nature?" "Thou art speaking too fine for my understanding.
Furthermore, it was maintained that, since all other countries but Russia had taken a wrong turn and fallen into decadence and libertinism, it was Russia's mission to bring the world back into the paths of rectitude and virtue by extending the influence of her peculiar culture and in particular again, of course, its special manifestations, autocracy and bureaucracy as widely as possible.
The year 1300 divides the life of Giotto into two nearly equal parts; the year 1500 similarly divides the life of Raphael. In the two centuries that intervene, the great age of Italian painting, initiated by Giotto, reaches its flower and perfection in Michelangelo, Leonardo, and Raphael. The years which followed the passing of these greatnesses were the years of decadence and eclipse.
It would be ungenerous of me, in this condemnation of the political parties of Central America, not to state that there are many individuals who view with alarm and shame the decadence of their country. Such, however, is the state of public opinion, that their voices are unheard, or listened to with indifference.
Petulengro to the Romany Rye, after telling him many things connected with the decadence of gypsyism, "there is one Gorgiko Brown, who, with a face as black as a tea-kettle, wishes to be mistaken for a Christian tradesman; he goes into the parlour of a third-rate inn of an evening, calls for rum and water, and attempts to enter into conversation with the company about politics and business; the company flout him and give him the cold shoulder, or perhaps complain to the landlord, who comes and asks him what business he has in the parlour, telling him if he wants to drink to go into the tap-room, and perhaps collars him and kicks him out, provided he refuses to move."
Probably the easiest and truest way of looking at the transition is to regard it according to the periods of supremacy, decadence and ultimate disappearance from Rome of the Roman Army. For the Army made the Emperors, and the Emperors made the times. The great military organization had in it the elements of long life, together with all sudden and terrible possibilities.
In its precise sense, the term Renascence cannot be applied to the movement that asserted itself in Hebrew literature at the end of the fifteenth century, as little as the term Decadence can be applied to the epoch preceding it.
W. P. Reeves tells us the tale, half-humorous, half-allegorical, of the decadence of a scholar. According to this story, one Thomson was a college graduate, full of high notions of the significance of life and the duties and privileges of the scholar. With these ideals he went to Germany, that he might strengthen them and use them for the benefit of his fellow-men.
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