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And when posterity says, 'He wrote "Splendeurs et Miseres des Courtisanes," "Le Pere Goriot," "Les Parents Pauvres," and "Les Treize," the Academie will answer: 'Yes, but he went on a journey."

See him, for example, in the Splendeurs et Misères des Courtisanes, trying with one hand to write a novel of Parisian manners, with the other a romance of mystery, and to do full justice to both. Trompe-la-Mort, the Napoleon of crime, and Esther, the inspired courtesan, represent the romance, and Balzac sets himself to absorb the extravagant tale into a study of actual life.

It is distinctly awkward that this should be divided, as it is itself an enormous episode, a sort of Herodotean parenthesis, rather than an integral part of the story. And, as a matter of fact, it joins on much more to the Splendeurs et Miseres des Courtisanes than to its actual companions.

He is quite disposed to serve you, and will second you in the best manner. You are about to become the centre of attraction to all courtiers, and noble <courtisanes>. You must expect that they will endeavor to cry you down, because you will have carried off from them a gem to which every family has its pretensions.

Mme Durand-Bedacier, Les belles Grecques, ou l'histoire des plus fameuses courtisanes de la Grece. B.M. Catalogue. A. Lang, History of English Literature , 458. See ante, p. 25. Re-issued as The Unfortunate Princess, or, the Ambitious Statesman, 1741. J.E. Wells, Fielding's Political Purpose in Jonathan Wilde, PMLA, XXVIII, No. I, pp. 1-55. March, 1913.

"'That is true, replied M. Renon, 'but I ought to tell you that Alexander Dumas's article, Filles, Lorettes et Courtisanes, also ran to four pages, yet we have not given him a centime more than we have given you. "Balzac started and turned pale. It is evident that he must have been in great financial need before he would have come to make such a request.

He is quite disposed to serve you, and will second you in the best manner. You are about to become the centre of attraction to all courtiers, and noble courtisanes. You must expect that they will endeavor to cry you down, because you will have carried off from them a gem to which every family has its pretensions.

At the same time it makes interesting reading; and it will prove especially entertaining to readers of the Comedie Humaine who have dreaded and half-admired the redoubtable law-breaker, who makes his initial entrance in Le Pere Goriot and plays so important a part in Illusions Perdues, and Splendeurs et Miseres des Courtisanes. Here we find Vautrin in a favorite situation.

It should, of course, be read before Splendeurs et Miseres des Courtisanes, which is avowedly its second part, a small piece of Eve et David serving as the link between them. But it is almost sufficient by and to itself.

His heroines are usually selected from a set whose name he has chosen as the title of one of his novels Les Courtisanes du Grand Monde. His books would be injurious if they were not so very stupid. They are improbable in incident, immoral in tone, exaggerated in style and lamentably dragged out in length. The trail of the class among which M. Houssaye spends his days is visible in every page.