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Updated: May 27, 2025
Brent ignored the elevators and went through a door marked Stairway and started down at a fast clip. Charles Blackwell came clopping along behind. Six flights lower down, Blackwell gasped, "Why don't we use the el elevator?" Brent ignored him and went down seventeen more flights. Charles Blackwell was livid when they reached the bottom. "For Christ sake !"
Act II is a capitally arranged interior of the inn, with the wooden shoes of the servant maid clopping around, where the inevitable happens. Hanna Elias, accompanied by a young Russian girl whose German accent furnishes mild humour promptly swoops down on the anæmic painter. There is brief resistance on his part. She tells him she can't, can't live without him oh, thrice-familiar feminine music! and with a double sob that shakes you in your seat the pair embrace. Curtain. The next act is frittered away in talk, the principal object seemingly to show how much the sculptor hates Hanna. In Act IV Gabriel is ill. He has had a fall, but it is really a heart attack. A doctor, an old friend, is summoned from a neighbouring island. Unfortunately Mrs. Schilling, the neglected wife is informed by the not very tactful doctor that her husband is ill. She rushes up from Berlin, and the best, indeed the only, dramatic scene then ensues. She is not permitted to see the sick man. She demands the reason. She is naturally not told, for Hanna is nursing him. She can't understand, and it is the difficult task of Lucie Heil, the violinist, to get her away before the fat is in the fire. Unfortunately, at that critical moment, Hanna Elias walks calmly from Gabriel's sleeping chamber. The row is soon on. Hanna was enacted by an emotional actress, Tilla Durieux, whose personality is forthright, whose methods are natural. (Her Hedda Gabler is strong.) She dressed the character after the approved Friedrichstrasse style. You must know that the artistic Bohemienne wears her hair plastered at the sides of her head
But all this while they make so little reserve, that if they fall sick the parish must keep them, if they are out of place, they must prostitute their bodies, or starve; so that from clopping and changing, they generally proceed to whoring and thieving, and this is the reason why our streets swarm with strumpets.
Wrenn walked out of Mrs. Cattermole's excellent establishment and heavily inspected the quiet Bloomsbury Street, with a cat's-meat-man stolidly clopping along the pavement, as loneliness rushed on him and he wondered what in the world he could do, he mused, "Gee! I bet that red-headed lady would be interestin' to know."
They ate their sandwiches by a prairie slew: long grass reaching up out of clear water, mossy bogs, red-winged black-birds, the scum a splash of gold-green. Kennicott smoked a pipe while she leaned back in the buggy and let her tired spirit be absorbed in the Nirvana of the incomparable sky. They lurched to the highroad and awoke from their sun-soaked drowse at the sound of the clopping hoofs.
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