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They enter the temple. After a short episode, in which Poppoea informs Epicharis of the refuge Chrysa has found, the ballet is given in the open square, with its fascinating dances of warriors, bacchantes, jugglers and buffoons, and their mimic combats, the music of which is very familiar from its frequent performance in our concert-rooms.
Suddenly Chrysa, daughter of Epicharis, who is ignorant of her mother's real character and dwells apart from her, rushes in and implores the protection of Vindex from a crowd of revellers who have pursued her. A very spirited duet follows in which the prince promises her his assistance.
She has heard of Nero's new infatuation; but her apprehensions are relieved when Balbillus, the astrologer, enters and not only announces that Chrysa is dead, but tells the equally grateful news that Octavia, Nero's wife, has been condemned to die.
So having said she departed, and left him to sit as aforetime, Bitterness swelling his breast at the thought of the slender Brisëis Forcefully torn from his side. Meanwhile ever-prudent Odysseus Safe into Chrysa had come with the hecatomb vow'd to Apollo.
Silent he went on his way, where the sea-waves roar'd on the sand-beach, Till at a distance remote, when the voice of his strong supplication Call'd on Apollo the King, that was born of the ringleted Leto: "Hear me, Protector divine, both of Chrysa and beautiful Killa, God of the silvery bow, over Tenedos mightily reigning! Smintheus!
Nero himself now appears upon the scene, and a duet follows in which Poppoea reproaches him for his fickleness and he seeks to console her with flattery. At its close the death of Octavia is announced, and Poppoea is appeased by the prospect of sharing the throne. Meanwhile Chrysa has fallen into the custody of Agrippina, Nero's mother, who keeps close charge of her to further her own ambitions.
HAMILTON. TERPANDER Mr. LEE. POPPOEA SABINA Miss BERTHA PIERSON. EPICHARIS Miss CORNELIA VAN ZANTEN. CHRYSA Miss EMMA JUCH. AGRIPPINA Miss AGNES STERLING. LUPUS Miss PAULINE L'ALLEMAND. The first act opens in the house of Epicharis, a courtesan, which is a rendezvous for the dissolute Roman nobles.
But it chanced that the Prince, being on his voyage to Troy, landed at the island of Chrysa, where there was an altar of Athené, the goddess of the place, and, desiring to show the altar to his companions, he approached it too nearly; whereupon the serpent that guarded it lest it should be profaned, bit him in the foot.
During the interview between the tyrant and his mistress, Epicharis rushes in and implores Nero to give up Chrysa, which leads to a powerful ensemble. Learning that Chrysa is still alive he leaves the apartment to find her. The second scene is brilliantly spectacular. Nero and his mother appear in front of the temple, followed by a long procession to the music of a brilliant march.
Foremost was I in exhorting to bend to the God for atonement This the offence that enrag'd Agamemnon, who, instantly rising, Utter'd the menacing word which his insolence now has accomplish'd. Home at the last unto Chrysa the quick-eyed oarsmen of Argos.
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