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Updated: May 20, 2025
Shaw is not, primarily, either a character-drawer or a psychologist, but a dealer in personified ideas. His leading figures are, as a rule, either his mouthpieces or his butts. When he gives us a piece of real character-drawing, it is generally in some subordinate personage. Mr. Galsworthy, I should say, shows himself a psychologist in Strife, a character-drawer in The Silver Box and Justice.
Hester had already won a reputation in character-description. She had the faculty of describing her friends in a few pertinent words which meant as much as an entire paragraph from some people. "I think your character-drawing will be excellent," said Helen. "You have a way with you, you know." "Do you really think so? Aunt Debby says I am critical, but I do not mean to be that.
It does not, as the others noticed above do, lend itself much to character-drawing. But it is spiritedly told; though rougher, it is much more vigorous than the French original; and the mere expletives and stock phrases, which are the curse of these romances, do not obtrude themselves too much.
There is no local color, and no character-drawing, in The Captive. You do not know the name of the hero; you do not know how old he is, or of what rank he is, at what period or in what land he lives. He is described but once. He is "A Man." My philosophy is a philosophy of will. All virtue that I know is conditioned upon freedom.
So the public would have pounded into its consciousness the statement that "Hearts Aflame", by Dorothy Dimple, was a masterpiece of character-drawing, full of thrilling incident and alive with pulsing passion. The department-store public, which was not intelligent enough to distinguish between a criticism and an advertisement, would accept all these opinions at their face-value.
But Mr James and I are agreed on essentials, we prefer character-drawing to adventures. One, two, or even three determining actions are not antagonistic to character-drawing, the practice of Balzac, and Flaubert, and Thackeray prove that. Is Mr James of the same mind as the poet Verlaine "La nuance, pas la couleur, Seulement la nuance, ..... Tout le reste est littérature."
It is only possible to write good plays without the power of character-drawing, upon one condition that of possessing the power of creating dramatic situations. The Oedipus Tyrannus of Sophocles, for instance, is not a tragedy of character; and its vast crescendo of horror is produced by a dramatic treatment of situation, not of persons.
Aristophanes criticises Euripides severely as a perverter of Athenian morality. Aristotle mentions Euripides about twenty times in the Poetics, and frequently criticises him adversely, not, however, for his evil moral influence, but because he uses his choruses badly, and is faulty in character-drawing.
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