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Updated: June 12, 2025
At a cross street he paused for a moment to admire a gem of architecture wrenched bodily from its Cinque Cento setting by Brunelleschi, and transplanted to this new land to serve the opulent need of a vendor of precious stones and metals.
At the end of the thirteenth century the church of Santa Croce was built at Florence; and in the century following, Brunelleschi, the reviver of classical art in Italy, placed the great cupola on the Cathedral. The Gothic cathedral of Milan, with its wilderness of statues, was begun in 1346.
This part of the work Filippo Brunelleschi, being overtaken by death, had not been able to execute; and although he had made designs even for this, they had been lost or destroyed through the negligence of those in charge of the building. Baccio, then, having made the design and model for this gallery, carried into execution all the part that is to be seen facing the Canto de' Bischeri.
Brunelleschi adhered to the style and taste of the fifteenth century at its commencement; but the too fervid quality of his character impaired his work as a sculptor. Ghiberti, on the other hand, translated the calm of his harmonious nature into his composition. The angel leans from heaven and points to the ram, which is seated quietly and out of sight of the main actors.
He was very content with his evening's work. "Well?" he said, when Akers returned. "Merry as a marriage bell. I'm to show her the Brunelleschi drawings to-morrow." Slightly flushed, he smoothed his hair in front of the mirror over the stand. "She's a nice child," he said. In his eyes was the look of the hunting animal that scents food. Lily did not sleep very well that night.
All this with the assistance of Brunelleschi, who is responsible for the interior as we now see it, and would, had he lived, have completed the façade.
Meanwhile, in spite of all the wear and tear of the work, the satisfying of incredulous busy-bodies, and the removal of such an incubus as Ghiberti, who because he was a superb modeller of bronze reliefs was made for a while joint architect with a salary that Brunelleschi felt should either be his own or no one's, the little man found time also to build beautiful churches and cloisters all over Florence.
We then come again to the Choir, with Ghirlandaio's urbane Florentine pageant in the guise of sacred history, and pass on to the next chapel, the Cappella Gondi, where that crucifix in wood is to be seen which Brunelleschi carved as a lesson to Donatello, who received it like the gentleman he was.
Three men then appeared, Brunelleschi, the architect of the Duomo, Donatello, who decorated the Campanile with statues, and Ghiberti, who cast the two gates of the baptistery, all three friends and rivals, all three having commenced with the goldsmith's art and a study of the living model, and all three passionately devoted to the antique; Brunelleschi drawing and measuring Roman monuments, Donatello at Rome copying statues and bas-reliefs and Ghiberti importing from Greece torsos, vases and heads which he restored, imitated and worshiped.
For Michele made the whole work curve in a circle in such a manner, that three altars which are in it, with their pediments and cornices, and likewise the space of the door, all turn in a perfect round, almost after the likeness of the entrances that Filippo Brunelleschi made in the Chapels of the Temple of the Angeli in Florence; which is a very difficult thing to do.
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