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Updated: June 17, 2025
True, in the second part of the sentence he assured his listeners that the danger was more imaginary than real, and he hoped that with wider knowledge, etc. But if no danger need be apprehended, why did Sir Frederick trouble to raise the question? And if he apprehended danger and would save us from it, why did he choose to ask his friend M. Bouguereau to exhibit at the Academy?
A Bouguereau can realize completely the little nasty things that are in his mind: if a Cézanne, a Shakespeare, or an Æschylus could realize as completely all that was in his the human race would think more of itself than it does.
Bouguereau was conceived of by many as one of those dastards of art who were endeavoring to corrupt by their talent the morals of the world; there was a cry raised that the thing should be suppressed; and as is always the case in all such outbursts of special class opposition, the interest of the general public was aroused. Eugene was one of those who noted the discussion.
If the people could understand Hamlet, the people would not read the Petit Journal; if the people could understand Michel Angelo, they would not look at our Bouguereau or your Bouguereau, Sir F. Leighton. For the last hundred years we have been going rapidly towards democracy, and what is the result? The destruction of the handicrafts.
Studies made at Julian Academy, under Bouguereau and Robert-Fleury. Mlle. Dufau calls her works illustrations and posters, and gives the following as the principal examples: "Fils des Mariniers," in Museum of Cognac; "Rhythme," "Dryades," "Automne," a study, Manzi collection; "Espagne," "Été," Behourd collection; "Automne," Gallery of the Luxembourg.
'Every novice in our order, sir, said Chalks, 'must approve his mettle by undergoing something in the nature of an initiatory ordeal. We may now drop foolery, and converse like intelligent human beings. You were asking our opinion of Willy's daub 'Willy? questioned Blake. 'Ay Bouguereau.
I had introduced him to Degas and Manet, but he had spoken of Jules Lefèvre and Bouguereau, and generally shown himself incapable of any higher education; he could not enter where I had entered, and this was alienation.
During the long while of his pupilage he has heard, "first learn your trade, and then do what you like". The time has arrived for him to do what he likes. He already suspects that the mere imitation of MM. Bouguereau and Lefebvre will bring him neither fame nor money; he soon finds that is so, and it becomes clear to him he must do something different.
Born in Exeter, New Hampshire, 1851, her professional life has been spent in Paris, where she was a pupil of Hugues Merle, Lefebvre, and M. William A. Bouguereau, whom she married. <b>GARRIDO Y AGUDO, MARIA DE LA SOLEDAD.</b> Born in Salamanca. Pupil of Juan Peyró. She exhibited two works at the National Exposition, 1876 a portrait and a youth studying a picture.
There was every kind of work: black frames with brass flats, and in them engravings of Virgins by Bouguereau and Signol, Guido's Ecce Homo, Piet
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