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Updated: June 17, 2025


Pupil of James Bertrand, Jules Lefebvre, and Bouguereau. Has exhibited regularly since 1875. Her picture of "Cinderella" is in the Museum of Poitiers; "At Church in Poitou" is in the Luxembourg. She has painted many portraits. <b>RICHARDS, ANNA MARY.</b> Norman Dodge prize, National Academy, New York, 1890. Member of the '91 Art Club, London. Born at Germantown, Pennsylvania, 1870.

The allusion in Sir Frederick's speech to French methods, and the exhibition of a picture by M. Bouguereau in the Academy, is strangely significant. For is not M. Bouguereau the chief exponent of the art which Sir Frederick ventures to suggest may prove a disintegrating influence in our art? has proven would be a more correct phrase.

Member of Water-Color Club, Baltimore; Charcoal Club, Baltimore; L'Union des Femmes Peintres et Sculpteurs de France. Born at Williamsport, Pennsylvania. Pupil of Pennsylvania Academy a few months; in Paris, of Bouguereau, Robert-Fleury, and Jules Lefebvre.

If the people could understand Hamlet, the people would not read the Petit Journal; if the people could understand Michel Angelo, they would not look at our Bouguereau or your Bouguereau, Sir F. Leighton. For the last hundred years we have been going rapidly towards democracy, and what is the result? The destruction of the handicrafts.

But not only is it a mark of limitation to refuse all interest to such a work as, for example, M. Cabanel's "Birth of Venus," in the painting of which a vast deal of technical expertness is enjoyably evident, and which in every respect of motive and execution is far above similar things done elsewhere than in France; it is a still greater error to confound such painters as M. Cabanel and M. Bouguereau with other painters whose classic temperament has been subjected to the universal romantic influence equally with theirs, but whose production is as different from theirs as is that of the thorough and pure romanticists, the truly poetic painters.

The mass can only appreciate simple and naïve emotions, puerile prettiness, above all conventionalities. See the Americans that come over here; what do they admire? Is it Degas or Manet they admire? No, Bouguereau and Lefevre. What was most admired at the International Exhibition? The Dirty Boy.

Still more recent are Bastien-Lepage, Chavannes, Breton, Bouguereau, Dagnan-Bouveret, Lhermitte, Jean-Paul Laurens, and Dupre. About the year 1825 an American school of landscape-painters was founded by Thomas Cole, many of whose pictures were allegorical. Durand is one of those who excelled in landscape painting. MUSIC. In music, Germany in the nineteenth century held the palm.

Pupil at Cooper Union under Douglas Volk and R. Swain Gifford, and of Art Students' League under William Chase and William Sartain; also of Julian's Academy under Tony Robert Fleury and Bouguereau, and of Carolus Duran. Mrs.

Julian, wife of the head of the Academy in which she was educated. Associate of National Academy of Design, member of Society of American Artists, associate of Société des Beaux-Arts, Paris. Born in Philadelphia. Studied under Mrs. T. A. Janvier, Adolf van der Weilen, and William Sartain in Philadelphia; under Robert-Fleury, Bouguereau, and Benjamin-Constant, in Paris. Her portraits are numerous.

So at the suggestion of the latter, and in order to complete the beauty of the rooms, a Bouguereau, a Toulmouche and a couple of Schreyers are bought, and a number of modern French bronzes scattered about on the multicolored cabinets. Then, at last, the happy owners of all this splendor open their doors to the admiration of their friends.

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