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She sang "Casta Diva," a duo with Belletti, from Rossini's "Il Turco in Italia," and the Trio Concertante, with two flutes, from Meyerbeer's "Feldlager in Schliesen," of which Moscheles had said that "it was, perhaps, the most astonishing piece of bravura singing which could possibly be heard." These pieces, with two Swedish national songs, were received with the loudest salvos of applause.
She also insisted that, under whatever auspices she should go to America, she should have as an accompanist Mr. afterwards Sir Julius Benedict, the composer, and Signor Belletti, an eminent Italian singer. Finally, on January 9, 1850, Wilton succeeded in his mission.
On this first night Julius Benedict firmly established with the American people his European reputation as a most accomplished conductor and musical composer; while Signor Belletti inspired an admiration which grew warmer and deeper in the minds of the public, to the end of his career in this country. "The Rubicon was passed," says Barnum.
Perhaps it is as idle to lament his deficiencies, in comparison with artists like Belletti, for instance, as to complain because the grand figures of Michel Angelo have not the delicacy of finish that marks the sweetly insipid Venus de Medici. Of the other solo performers in the oratorios it is not necessary for us to speak, save to commend the fine voice and good style of Mrs.
Jenny was very much flurried when she returned, and was prepared to call at the White House immediately, as would have been proper had Mr. Fillmore been the head of any European country. Barnum assured her, however, that etiquette was not so strict in America, and she postponed her visit until the next day, when with Benedict, Belletti and Mr.
And the said John Hall Wilton, on the part of the said Phineas T. Barnum, further agrees, that should the said Phineas T. Barnum, after seventy-five concerts, have realized so much as shall, after paying all current expenses, have returned to him all the sums disbursed, either as deposits at interest, for securities of salaries, preliminary outlay, or moneys in any way expended consequent on this engagement, and in addition, have gained a clear profit of at least fifteen thousand pounds sterling, then the said Phineas T. Barnum will give the said Jenny Lind, in addition to the former sum of one thousand dollars current money of the United States of North America, nightly, one-fifth part of the profits arising from the remaining seventy-five concerts or oratorios, after deducting every expense current and appertaining thereto; or the said Jenny Lind agrees to try, with the said Phineas T. Barnum, fifty concerts or oratorios on the aforesaid and first-named terms, and if then found to fall short of the expectations of the said Phineas T. Barnum, then the said Jenny Lind agrees to reorganize this agreement, on terms quoted in his first proposal, as set forth in the annexed copy of his letter; but should such be found necessary, then the engagement continues up to seventy-five concerts or oratorios, at the end of which, should the aforesaid profit of fifteen thousand pounds sterling have not been realized, then the engagement shall continue as at first the sums herein, after expenses for Julius Benedict and Giovanni Belletti, to remain unaltered, except for advancement.
Jenny Lind sailed for America on Wednesday morning, August 21, 1850. She was accompanied by Messrs. Benedict and Belletti, Mr. Wilton, her two cousins, and three or four servants. She also brought with her a piano for her use. Mr. Barnum had engaged the necessary accommodations for the company on the steamship Atlantic, and their departure from England was an event of great public interest.
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