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Updated: June 18, 2025


But all this display of silk and camlet was nothing to the ballets and pantomimes which served as interludes between the acts of the Plautine dramas.

Then came a dropping fire of drinking wine, which quickly increased, the decanters of sherry for about ten minutes resting upon the table, about as long as Taglioni touches this mortal earth in one of her flying ballets.

There was the same intention of merriment at the cost of what may be called the marital prejudices, though it cannot be claimed that the wit was the same as in "La Belle Helene;" there was the same physical unreserve as in the ballets of a former season; while in its dramatic form the burlesque discovered very marked parental traits.

Melody of a familiar folk-song or dance type now came in, divided into regular periods with strongly-marked rhythms. This may be seen clearly in, for example, Morley's "ballets" part-songs that could be danced to. Clear, easily understood, when once it came in it, never went out again. Its shaping power may be felt in the fugue subjects of Bach and Handel, as well as in their songs.

Many of them had appeared with more or less success in the ballets at the Empire and Alhambra, and he was widely known amongst stage-struck aspirants as charging moderately and teaching in a most painstaking manner. He thus made an income which, if not large, was at least secure, and was assisted in the school by his niece, Peggy Garthorne.

The power of the artistic principle is, in fact, so great that an aesthetic result is at once attained, if only some part of that principle be properly applied, and its conditions fulfilled: and such is true art, although it may be on a very low level. But we do not get such aesthetic results in Germany, unless it be at PERFORMANCES OF BALLETS, in Vienna, or Berlin.

The present staircase of the museum was built in what was formerly the salle des ballets. The ballet of those days was a sort of dramatic entertainment performed by the whole court. Revolutionary passions gave rise to a most laughable error about Charles IX., in connection with the Louvre.

"It isn't seven yet, and if they're going to dress in their rooms it won't take any time over here just to make them up and put on their wigs. It's a comparatively small cast, you see. Now, on the night of the Trig. ceremonies, when we had to make up three whole ballets and only had one box of make-up, we were rushed. I thought I'd never live to see the curtain go down.

If there is a single modern orchestral work that can be compared to either of the two great ballets of Strawinsky for rhythmical vitality, it is "Daphnis et Chloé," with its flaming dionysiac pulses, its "pipes and timbrels," its wild ecstasy. The same delicate clockwork mechanism characterizes "L'Heure espagnol," his opera bouffe, that characterizes "Petruchka" and "Le Rossignol."

There was Lulli in music; Beauchamp in ballets; Corneille and Racine in tragedy; Moliere in comedy; La Chamelle and La Beauval, actresses; and Baron, Lafleur, Toriliere, and Guerin, actors. Each of these persons was excellent in his way.

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