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This Canonico, whose sneer at the undecided faith of Salvator roused all the bile of the tolerant and charitable Baldovini, was the near neighbor of Salvator, a frequenter of his hospitable house, and one of whom the credulous Salvator speaks in one of his letters as being "his neighbor, and an excellent gentleman."

Baldovini retired to his cell to write the Life of Salvator Rosa, and then to resign his own; Oliva to his monastery, to compose the epitaph which is still read on the tomb of his friend; and Carlo Rossi to select from his gallery such works of his beloved painter, as might best adorn the walls of that chapel, now exclusively consecrated to his memory.

These were Carlo Rossi, Francesco Baldovini, and Paolo Oliva, each of whom returned from the grave of the friend he loved, to record the high endowments and powerful talents of the painter he admired, and the poet he revered.

They replied, "in the first instance to receive the sacrament as it is administered in Rome to the dying." "To receive the sacrament," says his confessor, Baldovini, "he showed no repugnance, but he vehemently and positively refused to allow the host, with all the solemn pomp of its procession, to be brought to his house, which he deemed unworthy of the divine presence."

On the following day, as the Padre sat by the pillow of the suffering Rosa, he had the simplicity, in the garrulity of his heart, to repeat all these idle reports and malicious insinuations to the invalid: "But," says Baldovini, "as I spoke, Rosa only shrugged his shoulders."

"As I went forth from Salvator's door," relates the worthy Baldovini, "I met the Canonico Scornio, a man who has taken out a license to speak of all men as he pleases. 'And how goes it with Salvator? demands this Canonico of me.

Baldovini followed the sanguine boy to Iris father's chamber; but, to all appearance Salvator was suffering great agony. "How goes it with thee, Rosa?" asked Baldovini kindly, as he approached him. "Bad, bad!" was the emphatic reply. While writhing with pain, the sufferer added after a moment: "To judge by what I now endure, the hand of death grasps me sharply."

In the restlessness of pain he then threw himself on the edge of the bed, and placed his head on the bosom of Lucrezia, who sat supporting and weeping over him. His afflicted son and friend took their station at the other side of the couch, and stood in mournful silence watching the issue of these sudden and frightful spasms. At that moment a celebrated Roman physician, the Doctor Catanni, entered the apartment. He felt the pulse of Salvator, and perceived that he was fast sinking. He communicated his approaching dissolution to those most interested in the melancholy intelligence, and it struck all present with unutterable grief. Baldovini, however, true to his sacred calling, even in the depth of his human affliction, instantly despatched the young Agosto to the neighboring Convent della Trinit