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Updated: May 19, 2025


His, shot is clean, with little effort, yet carries terrific speed. His volleying above the net is almost faultless on his forehand. He has an excellent forehand drive that is very severe and consistent, but his backhand . . . Where in all the rest of tennis history was there a first-class man with a backhand so fundamentally wrong?

Wickersham signed the papers slowly and deliberately. "When did you take to writing backhand?" asked Keith. "I have done it for several years," declared Wickersham. "I had writer's cramp once." The expression on Keith's face was very like a sneer, but he tried to suppress it. "It will do," he said, as he folded the papers and took another envelope from his pocket.

This young player is again a promise rather than a star. He is a big, rangy, hard-hitting type like Gerald Patterson. He is crude, at times careless and unfortunately handicapped in 1920 and 1921 by a severe illness that only allowed him to resume play in the middle of the latter year. His ground strokes are flat drives fore and backhand. His forehand is a particularly fine shot.

I was playing Norman E. Brookes in the fifth round of the American Championships at Forest Hills, in 1919. The score stood one set all, 3-2 and 30-15, Brookes serving. In a series of driving returns from his forehand to my backhand, he suddenly switched and pounded the ball to my forehand corner and rushed to the net.

He has a terrific forehand drive that gains in effectiveness owing to the fact he is a left-hander. Like so many players with a pronounced strength, he covers up an equally pronounced weakness by using the strength. Washer has a very feeble backhand for so fine a player. He pokes his backhand when he is unable to run around it. His overhead is strong, speedy and reliable.

He is a fine natural player just below the top flight. He is an excellent strategist, and mixes his shots very well. He has exceptionally fast footwork, and repeatedly runs around his backhand to chop diagonally across the court in a manner very similar to Johnson. B. I. C. Norton, the South African champion, a youngster of twenty, is a phenomenal player of extreme brilliancy.

He is one of the greatest hard-court players in the world, and one of the most dangerous opponents at any time on any surface. Shimidzu is to-day as dangerous as Kumagae. He, too, is a baseline player, but lacks Kumagae's terrific forehand drive. Shimidzu has a superior backhand to Kumagae, but his weak service rather offsets this.

Do not at first attempt a fast service; keep your ardour down until you have gained a mastery of the ball and can vary its direction. Place is always better than pace; this applies, generally speaking, to other strokes besides the service. Try to cultivate a second service which bears a likeness to the first. Most players are weaker on their backhand.

One of the detectives took the woman by the arm; she jerked it loose and aimed a backhand slap at him. He blocked it on his forearm. Immediately, the girl in black turned and said something to her, and she subsided. Vall said, into the box: "Barth, have the girl in the black cloak brought down to Number Four Interview Room.

I strongly urge that no one should ever favour one department of his game, in defence of a weakness. Develop both forehand and backhand, and do not "run around" your backhand, particularly in return of service. To do so merely opens your court. If you should do so, strive to ace your returns, because a weak effort would only result in a kill by your opponent.

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