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Beware of the institution which the French actress, Sophie Arnould, has so wittily called the 'consecration of adultery. You will agree with me that we have many such little sacraments in our dear Weimar, and I must laugh when I reflect for what purpose those amiable beauties have married, as not one of them love their husbands, but they all possess a friend besides."
Cicisbeism is not treated in extenso, as it should be, and I also missed the fragrant name of Sophie Arnould. Readers of "Love and Lore," "The Pomps of Satan," "Imperial Purple," and "The Lords of the Ghostland" will find much of their material adjusted to the purposes of this History of Love, which, nevertheless, no one interested in Saltus can afford to miss.
She must keep up a very elegant style, for this is her shop-sign; she must be sufficiently well bred to flatter the vanity of her lovers; she must have the brilliant wit of a Sophie Arnould, which diverts the apathy of rich men; finally, she must arouse the passions of libertines by appearing to be mistress to one man only who is envied by the rest.
Thick walls, deep ditches, and formidable towers, a great many turrets, bastions, casemates, and fortified gates, made Rouen an important place, before the revolution: omitting the different sieges, which it had to sustain from the Normans, we must notice in 949 those by Otho, emperor of Germany, Louis IVth, king of France, and Arnould count of Flanders; that in 1204 by Philip-Augustus, 1418, by Henry Vth king of England; that in 1449, after which, Charles VIIth retook the town from the English; lastly, that of 1591, by Henry IVth.
An actress or a singer who left a greater reputation through her wit, the promptness and malignity of her repartee, and her extravagance, than through her voice was Sophie Arnould, the pupil of Mlle. Clairon. She was the daughter of an innkeeper; her first success was won through her charming figure and her flexible voice.
The reader will be interested in some brief pictures of the revolutionary opera. It was directed by four distinguished sans culottes Henriot, Chaumette, Le Rouxand, and Hébert. The nominal director, however, was Francoeur, the same who first brought out Sophie Arnould in Louis XV.'s time.
The assembled company were in convulsions of suppressed laughter, which broke out when, at the moment of M. Barthe's most ecstatic admiration and respect for his new patron, Sophie Arnould lifted her glass, and, looking at the chevalier, said, in a clear voice, "Your health, Jeannot!" The sensations of poor M. Barthe may readily be imagined.
She inquired who was the owner of this exquisite organ, and was informed that it was little Anne Arnould. The Princess sent for the child, who came readily, and was not in the least abashed by the presence of the great lady, but sang like a nightingale and chattered like a magpie. The wit and beauty of the girl charmed the Princess, and she threw a costly necklace about her throat.
Arnould in the interpretation of his last great operas; so Sophie, enraged and disheartened, but to the gratification of the myriads of people whom she had offended by her cutting witticisms, which had been showered alike on friends and enemies, retired to private life, and thenceforward rarely appeared on the stage.
'It was Sophie Arnould, said Lushington, correcting her mistake. 'Was it? I don't care. I say it, and that is enough. Besides I hate children who are always setting their parents right! It's my own fault, because I was so anxious to have you well educated. If I had brought you up as I was brought up, you would never have left me!
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