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It was completed in 1826. The architect who designed it died when it was half completed, but the plan was carried out, though by a new architect. It is now a model building of its kind, and cost nearly nine millions of francs. In comprehensive magnificence it has no rival in Paris perhaps not in the world.
Robert, who went off in the middle of it with his family to the seashore, described it to Honora as a normal week. During its progress there came and went a missionary from China, a pianist, an English lady who had heard of the Institution, a Southern spinster with literary gifts, a youthful architect who had not built anything, and a young lawyer interested in settlement work.
At that time there lived at Florence, a very distinguished architect, named Filippo di Ser Brunelleschi, of whose works our city is full, and whose merit was so extraordinary, that after his death his statue in marble was erected in the principal church, with an inscription underneath, which still bears testimony to those who read it, of his great talents.
"I must put in a word on behalf of Pontius the architect," interposed Verus. "He is a man of at least average height." "Let us admit it to satisfy your sense of justice," returned Balbilla. "Let us admit it a man of average height, with a papyrus-roll in his right-hand and a stylus in the left, controls them. Now, does my way of stating it please you better?"
Not only resemblances exist in things whose analogy is obvious, as when we detect the type of the human hand in the flipper of the fossil saurus, but also in objects wherein there is great superficial unlikeness. Thus architecture is called "frozen music," by De Stael and Goethe. Vitruvius thought an architect should be a musician. "A Gothic church," said Coleridge, "is a petrified religion."
But the ironic humor of the whole thing overmastered his sense of guilt and he managed to hold the table for a little while without the Governor's assistance as he talked of the French chateaux with honest knowledge. The Seebrooks had motored through the chateau country the year before the war and as Archie had once made the excursion with an architect he was on firm ground.
The glass will expand considerably with the heat, and, what is more, if the furnace fire die out rapidly at any time, will contract and fracture. This difficulty, however, is the result of bad management, and does not concern the architect, unless, indeed, it be the result of improper fixing.
But at this time Trypho, the Alexandrine architect, was there. He planned a number of countermines inside the wall, and extending them outside the wall beyond the range of arrows, hung up in all of them brazen vessels. The brazen vessels hanging in one of these mines, which was in front of a mine of the enemy, began to ring from the strokes of their iron tools.
They still flared up violently, as though they had to climb above the roof; but soon they seemed to be quelled and exhausted, to find it more and more difficult to rise above the black smoke which welled up from the burning mass. Balbilla had looked out for the architect and had soon discovered him, for the man on horseback towered above the crowd.
The dawn of a new day appeared as a welcome comfort, and by the time he had eaten the morning porridge which his mother set before him and her eyes were red with weeping the idea struck him that he would go to Pontius, the architect. That was the lifeboat he espied.
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