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Updated: May 16, 2025


We have in the Amoretti of Spenser, and in the Astrophel and Stella of Sir Philip Sidney, admirable examples of autobiographical poems written mostly in sonnet stanza, of irregular and varied construction and subject, although the general theme is the same. Surely we may bring to the study of Shakespeare's poems the same simple method used in reading these.

E. Boyle 1594, whom he had courted in Amoretti, and now celebrated in the Epithalamion, returned to England 1595, Sheriff of Cork 1598, in which year the rebellion broke out and ruined his fortunes, returned to London and d. 1599. There have been very numerous ed. of the works, among which may be mentioned the Globe , and Dr. There is an excellent biography by Dean Church .

Soon after his return, Spenser fell in love with his beautiful Elizabeth, an Irish girl; wrote his Amoretti, or sonnets, in her honor; and afterwards represented her, in the Faery Queen, as the beautiful woman dancing among the Graces. In 1594 he married Elizabeth, celebrating his wedding with his "Epithalamion," one of the most beautiful wedding hymns in any language.

Amoretti, at Milan, examined hundreds of cases of the so-called Divining Rod, and Jung Stilling became an early spiritualist and 'full-welling fountain head' of ghost stories. Probably the most important philosophical result of the early German researches into the hypnotic slumber is to be found in the writings of Hegel.

Il Viaggio fatto dagli Spanuoli attorno il Mondo, 1536. 4to. This is the first edition of the Voyages of Pigafetta, who sailed with Magellan in his celebrated Voyage round the World, but it is incomplete. The genuine and complete work was published for the first time from a MS. in the Ambrosian Library of Milan, with notes, by Amoretti, under the following title: 45.

Next came the brief period of their artistic glory; then the syncretism of the Renaissance, when these winged messengers were amalgamated with pagan amoretti and began to flutter in foolish baroque fashion about the Queen of Heaven, after the pattern of the disreputable little genii attendant upon a Venus of a bad school.

Florian, the creator of exquisitely delicate landscapes and seascapes, with nymphs and cupids and nereids and sirens all daintily portrayed therein, pictures so ethereal and warm and bright in colour that they were called by some of the best Italian critics, the "amoretti" of painting, he, this wonderful man, had caught her soul and heart by storm, in a few sudden, quickly-whispered words one night when the moon was at the full, hanging high over the gardens of the Pincio, and, proud of her security in the love she had won, Angela had risen by leaps and bounds to a magnificence of creative effort and attainment so far beyond him, that old and wise persons, skilled in the wicked ways of the world, would sometimes discourse among themselves in dubious fashion thus: "Is it possible that he is not jealous?

To this untoward circumstance the difference in religion there is curious reference made in a remarkable passage of the "Amoretti," which seems not only to indicate the name of her family, but to screen the poet himself from the penalties denounced against Protestants who intermarried with Roman Catholics.

His legend, as the French say, with the anecdotes which every one knows, is one of the most brilliant in Vasari. Later writers merely copied it, until, in 1804, Carlo Amoretti applied to it a criticism which left hardly a date fixed, and not one of those anecdotes untouched.

Other noteworthy poems are "Mother Hubbard's Tale," a satire on society; "Astrophel," an elegy on the death of Sidney; Amoretti, or sonnets, to his Elizabeth; the marriage hymn, "Epithalamion," and four "Hymns," on Love, Beauty, Heavenly Love, and Heavenly Beauty. There are numerous other poems and collections of poems, but these show the scope of his work and are best worth reading.

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