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She is attracted to Alceste by her esteem for his honesty; she cannot avoid seeing where the good sense of the man is diseased.

Like Arnolphe in L'Ecole des Femmes, he had taken on himself to rear a young wife who played the same part, though with less innocence; and like the Misanthrope, where the scene between Alceste and Celimène is "une des plus fortes qui existant au théâtre," he was deeply entangled in the wily cruelties of scornful coquetry, and we know that at times he suffered in "the hell of lovers" the torments of his own Jealous Prince.

Just turned deliberately towards the stage and tried to interest himself in the wordy quarrel between Philinte and Alceste. But this attitude on the part of the younger man did not seem to suit his newly-found friend.

But Gluck played on, his hands weaving new strains of harmony such as earth had never heard before. His head thrown back, his eyes upturned toward heaven, his face beaming with inspiration, he listened to his music, while from Joseph's anguish was born the wonderful song in Alceste, "No crudel, no posso vivere, to to sai, senza de te."

What comedian but Moliere has combined with such depths with the indignation of Alceste, the self-deception of Tartufe, the blasphemy of Don Juan such wildness of irresponsible mirth, such humour, such wit!

Janus is a fable signifying criticism and the symbol of Genius. The Almighty alone is triform. What raises Moliere and Corneille above the rest of us but the faculty of saying one thing with an Alceste or an Octave, and another with a Philinte or a Cinna? Rousseau wrote a letter against dueling in the Nouvelle Heloise, and another in favor of it.

Certain men, regarded as virtuous and honest, have, like Nucingen, ruined their benefactors; and certain others, who have been through a criminal court, have an ingenious kind of honesty towards women. Perfect virtue, the dream of Moliere, an Alceste, is exceedingly rare; still, it is to be found everywhere, even in Paris.

Celimene is undisputed mistress of the same attribute in the Misanthrope; wiser as a woman than Alceste as man. In Congreve's Way of the World, Millamant overshadows Mirabel, the sprightliest male figure of English comedy. But those two ravishing women, so copious and so choice of speech, who fence with men and pass their guard, are heartless!

The other, born of wholly unknown parents, was named Dorlange, which is certainly no name at all. Dorlange, Valmon, Volmar, Melcourt, are heard upon the stage and nowhere else; already they belong to a past style, and will soon rejoin Alceste, Arnolphe, Clitandre, Damis, Eraste, Philinte, and Arsinoe.

She had listened to his praises long enough, and the tremendous success of "Alceste" had been the last straw and brought things to a climax. Du Barry would have some one to represent Italian music, and applied to the Italian ambassador to desire Piccini to come to Paris. On the arrival of Piccini, Madame du Barry began activities, aided by Louis XV himself.