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Updated: June 28, 2025
On the south side stands the tomb of Francis II., the last of the Dukes of Brittany, and of his second wife, Margaret of Foix, erected in 1507 by their daughter Anne, whom we have encountered already at the Chateau de Nantes, where she was born; at Langeais, where she married her first husband; at Amboise, where she lost him; at Blois, where she married her second, the "good" Louis XII., who divorced an impeccable spouse to make room for her, and where she herself died.
George, born in 1507, was made in 1518 canon at Merseburg, and afterwards prebendary of Magdeburg cathedral. The Cardinal had taken peculiar interest in him ever since his boyhood, on account of his excellent abilities, and he did honour to his office by his fidelity, zeal, and purity of life. The new teaching caused him severe internal struggles.
Everything, on the contrary, points to Titian's evolution being anything but rapid; in fact, so far as records go, there is no mention of his name until he painted the façade of the Fondaco de' Tedeschi in company with Giorgione in 1507.
In 1507 Louis made war on Venice; and in the following year the famous Treaty of Cambrai was signed by Georges d'Amboise and Margaret of Austria. It was an agreement for a partition of the Venetian territories, one of the most shameless public deeds in history. The Pope, the King of Aragon, Maximilian, Louis XII., were each to have a share.
Thus fell, on the 10th of March, 1507, on an unknown field, near an obscure village called Viane, in a wretched skirmish with the vassal of a petty king, the man whom Macchiavelli presents to all princes as the model of ability, diplomacy, and courage.
In either case there is no doubt that Giorgione's influence was very powerful. On Titian's death in 1576 he was thought to be ninety-nine. One of Titian's earliest known works is the visitation of S. Mary and S. Elizabeth, in the Accademia. In 1507 he helped Giorgione with the Fondaco dei Tedeschi frescoes. In 1511 he went to Padua.
It is well modelled, and of a more pleasing type than usual. In 1507 was painted another very important work the altar-piece in the church of S. Medardo in Arcevia, a splendid Ancona, still in its original Gothic frame. The Virgin is of the same tender type as in the Brera and Florence Academy pictures, but with an added stateliness and gravity.
There may be, therefore, something in the suggestion which Crowe and Cavalcaselle make that this may be the large canvas ordered of Giorgione for the audience chamber of the Council, "for which purpose," they add, "the advances made to him in the summer of 1507 and in January 1508 show that the work he had undertaken was of the highest consequence."
Martin Waldseemüller, of Freiburg, in his Cosmographiae Introductio, published in 1507, wrote: "I do not see why any one may justly forbid it to be named after Americus, its discoverer, a man of sagacious mind, Amerige, that is the land of Americus or America, since both Europe and Asia derived their names from women."
Its foundation was laid in 1487 under Archbishop Robert de Croixmore, and it was completed under Cardinal d'Amboise in 1507. A chapel at the base of the tower is dedicated to St. Stephen. The ornate decorations of the west front, added by Georges d'Amboise, are mainly of the sixteenth century and form no part of the original plan or design.
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