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Updated: June 22, 2025
The whole world of musical compositions was his to conquer, and he conquered it at the rate of about two great masters a month. From Handel to Richard Strauss, even from Palestrina to Debussy, the achievements of genius lay at his mercy. He criticized them with a freedom that was entirely unprejudiced by tradition. Beethoven was no more to him than Arthur Sullivan indeed, was rather less.
It does not matter that my Bohemian friend's musical abilities are slender. No man in the great Boston Jubilee got more out of Johann Strauss, in his "Kunstleben," that inimitable expression of inspired vagabondage, than he did.
Strauss' explanation of his theory has been given above, to some extent in his own words. We may see how he understood himself. We may appreciate also the genuineness of the religious spirit of his work. At the same time the thorough-going way in which he applied his principle, the relentless march of his argument, the character of his results, must sometimes have been startling even to himself.
They certainly startled others. The effect of his work was instantaneous and immense. It was not at all the effect which he anticipated. The issue of the furious controversy which broke out was disastrous both to Strauss' professional career and to his whole temperament and character. David Friedrich Strauss was born in 1808 in Ludwigsburg in Württemberg. He studied in Tübingen and in Berlin.
The intention of Liszt and Wagner and Strauss was to write music. However long Wotan might ponder on Mother Earth the moment comes when the violins begin to sing; ah! how the spring uncloses in the orchestra, and the lovers fly to the woods!... Moi, je m'en fous, Je reste dans mon trou I am going to see dear and affectionate friends.
Not seldom the concert is preceded by a rehearsal, which the Emperor attends and which itself has been carefully rehearsed beforehand, as the Emperor expects everything to run smoothly. At these rehearsals he will often cause an item to be repeated. Bach and Handel are his prime favourites. He is no admirer of Strauss.
Nevertheless it will be interesting to follow Strauss in his remarks upon the account given in the Acts, and I am bound to add that I think he has made out his case. Strange! that he should have failed to see that the evidences in support of the Resurrection are incalculably strengthened by his having done so. How short-sighted is mere ingenuity!
If people wish to institute a joust between French and German art, let it be a fair one, I repeat; let Wagner be matched with Berlioz, and Strauss with Debussy, and Mahler with Dukas or Magnard. Such were the conditions of the combat; and they were, whether intentionally or not, unfavourable to France.
I revere his noble life, his sublime death, and his incomparable teachings. I have read his life in the Gospels; I have read it as Strauss gives it; and as Renan gives it; and now I am devoting my Sunday afternoons to reading it as Pressense gives it. You see I am an impartial student. I read all sides." "You think Christ's life and teaching worth your study then?" I said inquiringly.
I visited the theatres, heard Strauss, made excursions, and altogether had a very good time. I am afraid I contracted a few debts as well, which I paid off later on when I was conductor of the Dresden orchestra.
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