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Updated: June 9, 2025


Franck made a little speech in French in reply it was translated by the interpreter in which he said that the Great War had increased the price of everything. We shook hands all round and there was much muttering of "yambo," the word for "greeting," and headed for the boat. Halfway down the hill we heard shouting and hissing. We stopped and looked back.

Like that passage of the Cesar Franck Sonata so had been his life with her, a divine third movement. And now this business of Jon's this bad business! Drifted to the edge of consciousness, he hardly knew if it were in sleep that he smelled the scent of a cigar, and seemed to see his father in the blackness before his closed eyes.

And, following their initiative, César Franck, Ernest Guiraud, Massenet, Garcin, Gabriel Fauré, Henri Duparc, Théodore Dubois, and Taffanel, joined forces with them, and at a meeting on 25 February, 1871, agreed to found a musical society that should give hearings to the works of living French composers exclusively.

He kept his face, glowing from the kitchen fire, turned toward Franck with an expression of courteous waiting and politely besought him in Italian to keep on singing. Finally, since Franck, instead of answering, arose, gave him a comically commanding look, and waved his fork like a baton, he began, striking up an accompaniment with a catching rhythm, which titillated his auditors' nerves.

"Let us take for models," he says, "the fine workers in art of the Middle Ages." In this return to the Gothic spirit, in this awakening of faith, there is a name a modern one this time that they are fond of quoting at the Schola; it is that of César Franck, under whose direction the little Conservatoire in the Rue Saint-Jacques was placed.

Particularly well known are Stewart Edward White, '95, Katharine Holland Brown, '98, Franklin P. Adams, '03, and Harry A. Franck, '03, no less well known as an unconventional traveler.

It has been said of this unique composer: "Franck is enamored of gentleness and consolation; his music rolls into the soul in long waves, as on the slack of a moonlit tide. It is tenderness itself." In Liège, Belgium, it was that César Franck was born, December 10, 1822. Chopin had come a dozen years earlier, so had Schumann, Liszt and other gifted ones; it was a time of musical awakening.

The music of Cesar Franck always brings before me a man who is seeking peace with himself and consolation with God, at a height, above the crowd, in isolation, as it were in the uppermost turret of a church tower.

The artist pupils of the master voiced to him their disappointment that his works should not have been more worthily performed. But he only smiled on them and comforted them with the words: "No, no, you are too exacting, dear boys; for my part I am quite satisfied." No wonder his pupils called him "Father Franck," for he was ever kind, sympathetic and tender with them all.

Among the numbers were a Beethoven sonata, entire; Chopin's Ballade in A flat major; Cesar Franck, Prelude, Fugue and Variations; a Mozart Fantaisie; Grieg Concerto, first movement; Weber's Concertstück, and Chopin's Scherzo in E. The recital was most instructive from an educational point of view.

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