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For all we may say of the reticence with which, the Greeks proclaim it, it greets us nobly in Homer, it sings to us in Anacreon, Sicilian shepherds tune their pipes to it in Theocritus: and anon in Virgil we dream of it to the coo of doves and the sound of bees' industrious murmur. Not only from such great names as these do we reach the letter and the spirit of ancient Natural History.

But we should be justly chargeable with gross inconsistency if, while we defend the policy which invites the youth of our country to study such writers as Theocritus and Catullus, we were to set up a cry against a new edition of the Country Wife or the Way of the World. The immoral English writers of the seventeenth century are indeed much less excusable than those of Greece and Rome.

And in Syracuse Theocritus; but I sing thee the dirge of an Ausonian sorrow, I that am no stranger to the pastoral song, but heir of the Doric Muse which thou didst teach thy pupils. This was thy gift to me; to others didst thou leave thy wealth, to me thy minstrelsy. Begin, ye Sicilian Muses, begin the dirge.

"He will wake him," murmured the philosopher, anxiously; but Melissa with prompt determination threw her veil over her head and went into the adjoining room. Philostratus at first heard violent language issuing from the mouth of Theocritus and the other courtiers, and the artist's answers were not less passionate.

It is useless to attempt a regular biography of Theocritus. He was born in the midst of nature that, through all the changes of things, has never lost its sunny charm. The existence he loved best to contemplate, that of southern shepherds, fishermen, rural people, remains what it always has been in Sicily and in the isles of Greece.

The court of that sovereign was, moreover, adorned by a constellation of seven poets, to which the gay Alexandrians gave the nickname of the Pleiades. They are said to have been Lycophron, Theocritus, Callimachus, Aratus, Apollonius Rhodius, Nicander, and Homer the son of Macro.

"He will wake him," murmured the philosopher, anxiously; but Melissa with prompt determination threw her veil over her head and went into the adjoining room. Philostratus at first heard violent language issuing from the mouth of Theocritus and the other courtiers, and the artist's answers were not less passionate.

The characters in Theocritus, are shewn to be distinguished into three classes, herdsmen, shepherds, and goatherds; the first of which was superior to the next, as that in its turn was to the third; and this distinction is proved to have been accurately observed, as to allusions and images.

He shuddered! the image of Vindex and his nephew rose once more before his mind's eye; at the same moment, however, Theocritus hailed him with the exclamation: "That fellow, Tarautas, is not a man at all! I should call him an eel if he were not so broad shouldered. The rascal is alive, and the physician says that in three weeks he will be ready again to fight four bears or two Alemanni!"

The eclogue in which he followed Theocritus most closely, the eighth, is equally, perhaps, the most pleasing of the series. It combines the motives of the love-lament and incantation, and the closeness with which it follows while playing variations on its models is striking. One instance will suffice. Take the passage in the second Idyl thus rendered by Symonds: