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The antique gabled mansion in its quiet back street has the charm of the still-life sketches in the early books, such as "Sights from a Steeple," "A Rill from the Town Pump," "Sunday at Home," and "The Toll-gatherer's Day."

He designed boxes and labels to amuse himself and then made various still-life compositions such as a box, a bottle, a dainty handkerchief and a small white hand all showing in a row.

A little later, in a quiet corner of the porch with the tea-steam floating pleasantly from the silver nose of its pot and a decorous scarlet and yellow still-life of muffins and jam between them, Oliver felt that so far things had slid along as well as could be expected.

It may be remembered that the great Spaniard began his apprenticeship to art by copying still-life, which he did in a superlative manner; his Bodegones, or kitchen pieces, testify to this. Chardin, who led as laborious an existence as Degas, shutting himself away from the world, studied surfaces with an intensity that Zola, the apostle of realism, would have misunderstood.

It is the reaching out and the very mastering of life which makes all art great, and all artists into geniuses. It is the specializing on ideas which shuts the stream of its flow. I have felt the same gift for life in a still-life or a landscape of Cézanne's that I have felt in any of Whitman's best pieces. The element in common with these two exceptional creators is liberation.

She has executed some most attractive landscapes. <b>TREU, OR TREY, KATHARINA.</b> Born at Bamberg. 1742-1811. A successful painter of flowers and still-life. Her talent was remarkable when but a child, and her father, who was her only master, began her lessons when she was ten years old.

It lay open on the little table before her: "139, New Bond Street. "Madam, "We are entrusted with a commission to purchase several pictures of still-life, and believe that you have a large painting of flowers for the acquiring of which we should be glad to treat.

While she is gone, we will take a pencilling of her dwelling. A beautiful specimen of still-life, in the shape of a baby six months old, reposes in its cradle its eye-lids' long and silky fringes are lightly folded in sleep on its smooth round cheek.

His well-known characteristics are present in the dozen; the tremulous leafage, the bright, pure light, the Italian softness. And what do you say to a half-dozen Courbets, all of his strong period, landscapes, still-life, a nude study, a dead roe, a sunlit path, and a lake scene! Good Courbets are not numerous, and these are good. The nude is a woman recumbent upon draperies.

I have enjoyed the privilege and pleasure of viewing the Widener Vermeers, and I believe that the Sleeping Servant she may not be intoxicated, a jug on the table being the only evidence; certainly her features are placid enough; besides, Vermeer did not indulge in paintings of low life as did Teniers, Ostrade, or Jan Steen is about the same period as The Merry Company, in the Dresden gallery, that is, if paint, texture, and arrangement of still-life be any criterion.