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They were the creators and controllers of all the phenomena of nature known to these simple-minded people. The Utes are zootheists. Each little tribe has its Shaman, or medicine man, who is historian, priest, and doctor. The lore of this Shaman is composed of mythic tales of ancient animals.
When the two Krishnas are excited with wrath, they show regard for nothing. These two bulls among beings are the Creators of all real and unreal things. These two are Nara and Narayana, the two ancient and best of Rishis. There is none to rule over them. They are rulers over all, perfectly fearless, they are scorchers of all foes.
The gods have fled, but man is here. Nations, like individuals, have their periods of youth, of manhood and decay. Religions are the same. The same inexorable destiny awaits them all. The gods created with the nations must perish with their creators. They were created by men, and, like men, they must pass away. The deities of one age are the by-words of the next.
Do thou turn thy heart to those high-souled lords, the creators of the worlds, unto the dust of whose feet I am not equal. Displeasing the gods, a mortal cometh by death. Save me, O thou of faultless limbs! Choose thou the all-excelling celestials. By accepting the gods, do thou enjoy spotless robes, and celestial garlands of variegated hues, and excellent ornaments.
For while the former is addressed to Anu and Enlil, in the latter these same gods play the dominant parts: they are the two chief creators, it is they who send the Flood, and it is their anger that must be appeased. If once combined, the further step of making the incantation the actual means by which Ziusudu achieved his own rescue and immortality would be a natural development.
There was humanity, on the one side, building the future, the new state, organizing its scattered millions into a rich, healthy, joyous life and calling to every man to enlist in the ranks of the creators; and then there was woman, the undying splendor of the world, the beauty that drenches life with meaning and magic, that stirs the elemental in a man, that wakens the race instinct, that demands the creation of new generations to inhabit that new state of the future.
All phenomena are negative, and are only the external garniture of the world of man, the spirit, the child of the Eternal, of the father and mother Creators of him. Thus man is, by absolute inheritance, the king, and the ruler over all nature. But not without effort can he enter and possess and maintain his power over his own.
The position of manager of such important mines carried with it much luxury, a fine house, plenty of servants and an ample salary. Thus the future young musician's home life was not one of poverty and privation, as has been the lot of so many gifted ones, who became creators in the beautiful art of music.
Throughout the whole myth-making period a progression may be recognized in the character of the myths: from the earlier animal and human creators we pass to the higher anthropomorphic forms, the great gods; there is increased literary excellence, a molding and a remolding of the old crude stories, with a combination of them into well-ordered histories; they are constantly modified by the growing acquaintance with the laws of nature and by the higher intellectual conceptions of the deity; and they are more and more infused with ethical significance.
I find him so much the legend among professional artists, this master of arabesque, this first and foremost of our designers, this real creator of pattern, this first of all creators of tragic landscape, whose pictures are sacred to those that revere distinction and power in art. He had in him that finer kind of reverence for the element of beauty which finds all things somehow lovely.
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